Decoding the Lyrics of Yeat‘s ‘LUVSICK’ Album

Yeat’s 2022 album, LUVSICK, is a deep dive into themes of heartbreak, substance use, and the trappings of fame, all delivered with his signature melodic flow and unique slang. The album quickly resonated with audiences,solidifying Yeat’s position as a leading figure in the soundcloud rap scene. This article breaks down the lyrical content of key tracks, exploring the meanings and references within his distinctive style.

1. Luvsick

Notable bars: “I don’t want no other lover, I just want you, I just want you / I don’t want no other lover, I just want you, I just want you”

2. Kant Die

Notable bars: “I’m movin’ like I’m Sandy / I’m livin’ underwater,I don’t know how I can breathe.” This lyric uses the imagery of being submerged to represent feeling overwhelmed by emotions or a lifestyle, potentially referencing substance use or the pressures of fame.The “Sandy” reference is likely to the character from the movie The SpongeBob SquarePants Movie, who is brought to life and walks on land, representing a feeling of being out of place.

3. Sorry Bout That

Notable bars: “I’m sorry ’bout that, I’m sorry ’bout that / I’m sorry ’bout that, I’m sorry ’bout that.” this track embodies a nonchalant apology, likely directed towards someone hurt by his actions, but delivered with a detached coolness characteristic of Yeat’s persona.

4. Death Note

Notable bars: “I’m a demon, I’m a demon, I’m a demon, I’m a demon / I’m a demon, I’m a demon, I’m a demon, I’m a demon.” The repeated assertion of being a “demon” is a common trope in modern rap, frequently enough used to signify a rebellious or destructive nature, or a persona adopted for artistic expression. The title itself references the popular Japanese manga and anime series Death Note,where a notebook grants the power to kill anyone whose name is written in it.

5. Big Placement

Notable bars: “I’m a big placement, I’m a big placement / I’m a big placement, I’m a big placement.” This lyric highlights Yeat’s growing success and influence in the music industry, referring to securing prominent “placements” for his music – features on popular playlists or in other media.

6. Flawless

Notable bars: “I’m so flawless, I’m so flawless / I’m so flawless, I’m so flawless.” This track is a self-aggrandizing anthem, showcasing Yeat’s confidence and perceived perfection.

7. Money So Big

Notable bars: “Money so big, money so big / Money so big, money so big.” This track focuses on the accumulation of wealth and the lifestyle it affords, a common theme in contemporary hip-hop.

8. Hold Me Down

Notable bars: “Hold me down, hold me down / Hold me down, hold me down.” This lyric suggests a desire for loyalty and support,potentially from a romantic partner or close friend,amidst the challenges of fame and success.

9. Supa Mode

Notable bars: “I’m movin’ like I’m Sandy / I’m livin’ underwater, I don’t know how I can breathe”

10. Lil Arrogant (feat.Russ and Joey BADA$$)

Notable bars: “Some rappers magicians, they trick you, they Copperfield / Act tough as a gold medal, you link ’em, they daffodil / Simultaneously occurring, I’m just runnin’ back kick returns on the field / Where the Redskins be losin’ but we gon’ support ’em still / That’s how you know where our loyalty at.” This verse showcases lyrical dexterity and clever wordplay, comparing other rappers to illusionists and highlighting yeat’s authenticity. The reference to the Washington Redskins (now the Washington Commanders) ESPN demonstrates regional loyalty.

11. Prince George (with Cordae)

Notable bars: “In the hood where they pedaling, the cycle is Rayful / I don’t do consignments, I ride the cycle I pay fo’ / leather on the jacket, like I ride with the angels / Leather Louis wallet be preserving the angles” this verse references the drug trade (“pedaling”) and displays a sense of independence and financial stability.

12. Pizza Shop Extended (feat. Del the Funky Homosapien, Gleesh, and MF DOOM)

Notable bars: “St, really I’m a good boy / But that Trapaholics tag turned me to a hood boy / Blunt guts on the floor, I’m a backwood boy / Lookin’ at me wrong, make you wish you never looked, boy.” This verse, notably the line referencing “trapaholics,” acknowledges the influence of the popular hip-hop podcast and its association with a more street-oriented image.

Notable bars: “Nine times out of 10,he gon’ die or he gon’ go to jail,let’s not pretend / Huh,look,everybody starts as a kid with a pure heart,then they turn to him / Papa died,mama died,all the nga know is sin / Traumatized,freedom jeopardized,he just wanna win / what’s a smile when you dodging strikes,dodging every pen’?” This track delves into darker themes of mortality,trauma,and the struggle for survival,offering a glimpse into the harsh realities faced by many.

14. Porno (feat. JID and Pusha T)

Notable bars: “The bible say beatin’ my dk and killin’ is equal / But that don’t add up, ’cause the amount of times that I milk my st I’ll probably be considered serial / Them Cocoa Puff tty balls make a nga balls fall inside of her jaws while her drawls fall / All like a nightstand in the earthquake caused by the backstroke, dog style, all wild / kill the pretty kitty, leave a X over its eyes like a KAWS clown.” This track contains explicit and controversial lyrics, utilizing shock value and graphic imagery. The reference to KAWS is a nod to the contemporary artist known for his distinctive character designs.

15. MINIMIZYA (City Morgue and ZillaKami feat. IDK)

Notable bars: “I’m a minus sign on the screen till they click on me / Till I can’t breathe, they want sinus, my enemies got clique energy” This verse employs metaphorical language, portraying the artist as an overlooked entity seeking attention and battling opposition.