A Rising Force in Ballet: The Royal Ballet‘s “Communion of Light”
The Royal Ballet’s recent performance, “Communion of Light,” showcases a company grappling with its past while boldly stepping into a vibrant future. It’s a program that doesn’t shy away from complex themes, offering a compelling blend of classic technique adn contemporary exploration. You’ll find yourself captivated by the energy and ambition on display.
A Program of Contrasts
The evening presents a diverse range of choreography,revealing both the strengths and occasional growing pains of this evolving ensemble. Several pieces feel rooted in tradition, while others push boundaries with striking originality.
* Concerto for Charlie: Veronica Paeper‘s 1979 work, originally sponsored by Revlon, possesses a charming, if somewhat dated, neo-classical style. The dancers execute the choreography with a playful knowingness that elevates the piece beyond mere twee nostalgia.
* Resonance: This piece by the company’s director, David Hurst, initially presents a smooth, jazzy ballet aesthetic. Though, it unexpectedly shifts into a more unsettling exploration of racial tension and the potential for harmony. It’s a thought-provoking juxtaposition of beauty and discomfort, notably resonant given South Africa’s history.
* Contemporary Interlude: Jorge Pérez Martínez’s contribution offers a refreshing contemporary voice, featuring standout performance from dancer Monike Cristina. The piece is set to evocative Spanish guitar,adding another layer of artistic depth.
* A Ritualistic offering: Tumelo lakana’s vignette is a particularly moving highlight. It’s a deeply personal ritual prayer to his ancestors, beautifully expressed through South African steps performed en pointe – a powerful transcendence of tradition.
The Profound Loss and Legacy of Dada Masilo
The most impactful work on the program is undoubtedly Salomé, created by the late dada Masilo. Her untimely passing in 2024 at the age of 39 is a significant loss to the dance world. This final work for the company feels charged with an urgent energy, a palpable sense of creative force.
Salomé is a compelling exploration of seduction, power, and the intoxicating allure of self-finding. Latoya Mokoena delivers a commanding performance as Salomé,portraying a character both sensuous and tragically vulnerable. The dramatic tension builds masterfully,culminating in a devastatingly realistic finale.
The staging is particularly effective; the arrival of the silver platter feels like a pivotal, unavoidable moment. It’s a testament to Masilo’s genius that the ending resonates with such genuine sorrow. While her absence is deeply felt, her work will undoubtedly continue to inspire.
Looking Ahead
“Communion of Light” is more than just a ballet performance; it’s a statement of intent. It demonstrates the royal Ballet’s commitment to honoring its heritage while embracing innovation. You can expect to see a company that is increasingly willing to take risks and explore challenging themes.
Performance Details:
* Location: Linbury Theater, Royal Opera House, London
* Dates: Running until November 2nd.
This production leaves you with a sense of anticipation for what David Hurst will bring to the company in the years to come.It’s a company to watch, a rising force in the world of ballet.
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