Saturday Night Live Holiday Episode: A Farewell to Bowen Yang & A Mixed Bag of Sketches
This past weekend’s Saturday night Live, hosted by Timothée Chalamet and featuring musical guest boygenius, delivered a predictably uneven holiday offering. while the episode served as a poignant send-off to cast member Bowen Yang, the sketches themselves ranged from genuinely hilarious to decidedly forgettable. As a long-time observer of the show, I’ll break down the highlights (and lowlights) of a night that felt both celebratory and a little…scattered.
The emotional core of the evening undoubtedly revolved around yang’s departure. SNL often handles farewells with a blend of sentimentality and humor,and this episode was no exception. The most effective tribute came in the form of ”Ed’s Last Shift at the Airport Egg Nog Station.”
This sketch, a surprisingly touching musical number, cleverly used the mundane setting of an airport concession stand as a metaphor for Yang’s final episode. The emotional weight was amplified by a cameo from Cher, playing Ed’s boss, echoing similar star-studded farewells for departing cast members like Fred Armisen, Bill Hader, and Kristen Wiig. It was a fittingly heartfelt moment for a performer who consistently brought a unique energy to the show.
Though, not all sketches landed with the same grace. The opening segment, featuring Grande and Marcello Hernández as over-the-top dance instructors, showcased some solid physical comedy but leaned heavily into a rather unpleasant depiction of sociopathic behavior. While it garnered laughs, it felt a bit…off-key for a holiday-themed show.
Musical Parodies & Impressions: A Hit-or-Miss Affair
SNL is known for its celebrity impressions,and the “Random Duet Christmas Spectacular” was ambitious,to say the least. the sketch riffed on the iconic Bing Crosby and David Bowie duet, presenting a rapid-fire series of pairings – Katy Perry and Bob Dylan, Bruce Springsteen and Bad Bunny, and even Kate Bush and Yoko Ono (with yang, regrettably, falling into a tired cliché).
While the sheer audacity of the concept was admirable, the execution felt somewhat uneven. Some impressions, like James Austin Johnson and grande’s take on Andrea Bocelli and Céline Dion, were genuinely notable. Others felt rushed and relied too heavily on caricature. It was a parade of micro-impressions that was both daring and, ultimately, predictable.
The Cher sketches were a mixed bag. The first, featuring an Auto-Tuned (and potentially lip-synced) Cher performing “DJ Play a Christmas Song,” felt like a throwback to the early ’90s techno scene, complete with fitting choreography.The second, a Vegas-style rendition of chuck Berry’s “Run Run Rudolph,” was undeniably fun, bolstered by the SNL band and captain Kirk Douglas of The Roots. Grande’s introduction as a returning character added a nice touch.
Weekend Update: A Bit of a Stumble
“Weekend Update” delivered the expected political jabs, with Colin Jost and Michael Che tackling topics like the Jeffrey Epstein files and controversial figures like Marjorie taylor Greene.However, the segment felt somewhat disjointed.
The introduction of Che’s 12-year-old nephew, Tyson (played by Kam Patterson), started sweetly but quickly devolved into a bizarre and ultimately unfunny violent threat towards Santa.
The planned joke swap between Jost and Che was scrapped at the last minute, resulting in an awkward and antagonistic exchange that lacked the usual playful banter. Aidy Bryant’s cameo as her Trend Forecaster character alongside Yang offered a welcome return, but couldn’t fully salvage the segment.
Other Sketches: A Speedy Look
The ”Love is Blind: The Reunion” parody, with Grande as a contestant surprised to discover her suitor was actually the Grinch (played by Mikey Day), felt underdeveloped and relied too heavily on a visual gag.
Final Thoughts
This SNL holiday episode was a bit of a patchwork. While the farewell to Bowen Yang was genuinely touching, the sketches themselves were inconsistent in quality. The show’s strength lies in its ability to blend topical humor with character work,and this episode occasionally struggled to find that balance.
Ultimately, it was a night of highs and lows, a fitting reflection of SNL’s enduring, and often unpredictable, legacy. The episode served as a reminder of Yang’s contributions to the show and left viewers wondering what the future holds for Saturday Night Live in the new year.
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