“Kim Novak‘s Vertigo“: A Reverent Portrait Marred by Lost Analysis, Saved by a Stunning Revelation
Alexandre O. Philippe‘s ”Kim Novak’s Vertigo” arrives as a deeply personal exploration of Alfred Hitchcock’s masterpiece and the enigmatic actress at its center. However, the documentary ultimately feels like a beautiful, yet incomplete, cinematic experience.It’s a film that prioritizes feeling over rigorous examination, a departure from philippe’s previous, analytically sharp work.
The film’s strength lies in novak’s presence. You witness her occupy the role of a devoted “Vertigo” fan with a captivating intimacy. Philippe,conversely,indulges in his own admiration,a shift noticeable when compared to his detailed dissection of the “Psycho” shower scene in “78/52.” That earlier film meticulously revealed how the effect was achieved; here, he largely abandons close textual analysis.
Rather, the focus becomes reveling in the emotional resonance of “Vertigo” and the unique experience of knowing Kim Novak. This approach feels like a missed prospect to delve deeper into the film’s enduring power. It’s a celebration,certainly,but one lacking the critical framework that defined Philippe’s earlier Hitchcock study.
As a result, “Kim Novak’s Vertigo” feels somewhat adrift. It resembles a stunning portrait lacking a defining frame, a fitting tribute to novak’s Lifetime Achievement Golden Lion at the 2025 Venice Film Festival, but not a considerable cinematic achievement on its own. You might find echoes of this approach in other fan-driven documentaries, like 2024’s “Merchant/Ivory,” which similarly prioritized adoration over insightful critique.
However, the film delivers a coda of unexpected power. Novak undertakes the poignant task of sorting through decades of accumulated belongings. Within those boxes lies a piece of cinematic history: the iconic gray suit-dress worn by Madeleine and Judy in “Vertigo.”
It’s a moment of breathtaking immediacy.The suit, remarkably preserved after 67 years, remains soft and vibrant.Novak’s reaction – inhaling its scent and weeping with gratitude – transforms film history into a tangible, living entity. Suddenly, “Vertigo’s” enduring magic feels immediate and eternal.
Key Takeaways:
The documentary excels in showcasing Kim Novak’s personal connection to her most famous role. It represents a departure from Alexandre O. Philippe’s typically analytical approach to Hitchcock.
The film’s final moments, featuring the discovery of the iconic suit-dress, are profoundly moving. While reverent, the documentary lacks the in-depth examination present in “78/52.”
Ultimately, “Kim Novak’s Vertigo” is a flawed but fascinating film. It’s a testament to the enduring power of “vertigo” and the captivating presence of its star. While it may not satisfy those seeking a rigorous academic analysis, it offers a unique and deeply personal glimpse into a cinematic legend.
Grade: B-
“Kim Novak’s Vertigo” premiered at the 2025 Venice Film Festival and is currently seeking U.S. distribution.
Stay informed about the latest film reviews and critical analysis by subscribing to In Review by David Ehrlich, IndieWire’s new newsletter. You’ll receive exclusive insights and recommendations from our Chief Film Critic.
![How [TV Star’s Name] Was Discovered: The Casting Story Behind This Year’s Breakout Star](https://i0.wp.com/i.guim.co.uk/img/media/4594e352896a25218895867484e185c78343b053/2_236_2109_1686/master/2109.jpg?resize=330%2C220&ssl=1 "How [TV Star’s Name] Was Discovered: The Casting Story Behind This Year’s Breakout Star")
