Jack DeJohnette: A Revolutionary Force in Jazz Drumming
Jack DeJohnette, a towering figure in jazz drumming and improvisation, has passed away, leaving behind a legacy that profoundly shaped the sound of modern music. His innovative approach, rhythmic complexity, and collaborative spirit influenced generations of musicians. This article explores his remarkable career, from his early influences to his groundbreaking work with Miles Davis and beyond.
Early years and Artistic Foundations
Born in Chicago in 1942, DeJohnette’s musical journey began with piano lessons before gravitating towards the drums. He quickly immersed himself in the vibrant jazz scene of his hometown, absorbing the sounds of Max Roach and Elvin Jones. Furthermore, he became a key member of the Association for the advancement of Creative Musicians (AACM), a collective that fostered experimentation and artistic freedom.
Joining the Miles Davis Revolution
In 1969, DeJohnette stepped into a pivotal role, replacing Tony Williams as the drummer in Miles Davis’ band. This coincided with Davis’ bold foray into electric jazz, a period of immense creative exploration. Alongside saxophonist Wayne Shorter, keyboardist Chick Corea, and bassist Dave Holland, DeJohnette formed what became known as the “Lost Quintet.”
* Though never formally recorded in a studio, their legendary European performances captured the energy of this groundbreaking ensemble.
* A glimpse of this era can be found on Live in Europe 1969: The Bootleg Series Vol. 2.
Shaping the Sound of Electric Jazz
DeJohnette’s drumming was integral to Davis’ landmark albums that followed.He contributed to the creation of albums like Bitches Brew (1970), a cornerstone of jazz-rock fusion. He also played on portions of Jack Johnson and on the Corner,marking his final studio recordings with Davis.
You can also find his contributions on live albums from 1970 concerts at the Fillmore East and West, as well as recordings from the Newport folk Festival and Live-Evil.
A Drummer’s Perspective: Working with Miles
DeJohnette often spoke about the unique dynamic he shared with Davis.”miles loved the drums,” he explained in a 2009 interview. “Everything came from the drums. He liked boxing, he was a big boxing fan, and he saw drums in jazz as having similar aspects.” This insight reveals Davis’ recognition for the power,precision,and rhythmic drive DeJohnette brought to the music.
Beyond Davis: A Prolific Bandleader and Collaborator
Following his time with davis, DeJohnette continued to be a sought-after musician. He collaborated with jazz giants like Freddie Hubbard and Sonny Rollins. Simultaneously, he embarked on a distinguished career as a bandleader, beginning with The DeJohnette Complex in 1969.
His discography boasts a wealth of innovative albums, including:
* The Gateway albums with Dave Holland and John Abercrombie.
* Music for the Fifth World (1992).
* Peace Time (1992), which earned him a Grammy Award for Best New Age Album.
A Lasting Impact and Artistic Legacy
DeJohnette’s influence extends far beyond his impressive list of credits. As noted by Rolling Stone,he possessed “an innate knack for turning a memorable tune,” seamlessly blending experimentation,integrity,and a powerful groove. He wasn’t just a drummer; he was a composer, innovator, and a true visionary who redefined the possibilities of jazz drumming.
His music continues to inspire and challenge listeners, ensuring his place as one of the most meaningful figures in jazz history.You’ll find his rhythmic innovations and artistic spirit echoing in the work of countless musicians today.
