The Enduring Legacy of Ann Lee and the Shakers: A Director’s Deep Dive into Utopian Vision
Mona Fastvold’s upcoming film about Ann Lee, the 18th-century founder of the Shaker movement, isn’t simply a historical drama. It’s a deeply researched exploration of radical feminism, innovative design, and the enduring human quest for utopian ideals. Fastvold’s journey into the world of the Shakers began with a haunting hymn and blossomed into a fascination with a community that continues to resonate today.
From Hymn to Historical Immersion
Fastvold’s initial spark came while working on her previous film, “The World to Come.” Searching for authentic musical accompaniment, she discovered “Pretty Mother’s Home,” a hymn penned by Patsy Roberts Williamson, a Black Shaker sister.This revelation opened a door to the Shakers’ unique history and philosophy.
“I started reading about the various utopian societies that were forming,” Fastvold explained, “and it took me down the rabbit hole to ann Lee.” Lee, often overlooked in historical narratives, emerges as a compelling figure - arguably America’s first feminist. Having endured personal tragedy – the loss of four children - she channeled her grief into a powerful vision of communal living and spiritual devotion.
Shakerism: More Than Just Furniture
The Shakers are often remembered for their minimalist furniture, but their influence extended far beyond aesthetics. They were pioneers in gender equality, technological innovation, and enduring living. A visit to Hancock Shaker Village in Massachusetts solidified Fastvold’s connection to the Shaker ethos.
Their commitment to practicality and efficiency lead to improvements in everyday objects. Consider these examples:
* Bentwood Boxes: Durable and beautifully crafted storage solutions.
* Spool Holders: Streamlining textile work, a crucial Shaker industry.
* Apple Peelers & washing Machines: Reducing the burden of domestic labour for women.
* Flat Broom Vise: A surprisingly impactful invention,ensuring efficient cleaning.
These weren’t merely conveniences; they were tools designed to liberate women from arduous tasks, fostering a more equitable society. As Sylvia Yount, head of the American Wing, pointed out, “This was about gender equality.”
A Director’s Eye for Detail & The Pursuit of Authenticity
bringing the Shaker world to life on screen demanded meticulous attention to detail. While filming took place in Hungary, the production team prioritized authenticity.
* Original Artifacts: A genuine Shaker chair,sourced from a London market,served as a touchstone.
* Materiality Matters: Fastvold insisted on using wood and traditional joinery techniques, rejecting synthetic substitutes. “You can’t make something out of Styrofoam,” she stated. “It has to be wood, and it has to be beautifully joined together.”
* Beyond the Visuals: While Shaker instruments were explored, Fastvold discovered their true innovation lay elsewhere – in their holistic approach to life.
Echoes of Utopianism: Connecting Past and Present
Fastvold’s interest in Ann Lee and the Shakers isn’t isolated. It resonates with her ongoing collaboration with Brady Corbet, particularly their 2024 film, “The Brutalist.” Both projects explore themes of:
* Immigrant Experience: The challenges and aspirations of newcomers to America.
* Visionary Architecture: The power of design to shape communities.
* Unwanted Innovation: The struggle to introduce new ideas in resistant environments.
Fastvold realized during editing that both narratives centered on individuals – Lee and the architect – relentlessly pursuing seemingly impossible visions.”You think you’re making something entirely different… Actually, no, it’s about an immigrant arriving in America, trying to create an impossible project.”
This connection underscores a broader point: the films themselves are reflections of their creators. ”The films we make are always reflections of us. you can’t help it.”
A Lasting Impression: Simplicity,Beauty,and the Search for Meaning
Fastvold’s immersion in the Shaker world has clearly left a profound mark. She envisions a simple,restorative retreat within a Shaker-inspired space: “I’d light that candle,bring in a bunch of wildflowers,and then I would be happy.”
This desire for tranquility and connection to nature speaks to the enduring appeal of the
