NYC Dance Audition: “The Circuit” – Immersive Silent Disco Ballet (AGVA)

Novel York Theatre Company Announces Open Call for Immersive Silent Disco Ballet, “The Circuit”

New York City’s performing arts scene is set to gain a unique and innovative production this spring with “The Circuit: An Immersive Silent Disco Ballet.” The New York Theatre Company is currently seeking dancers with acting experience for this ambitious project, which promises to blend the energy of a silent disco with the storytelling of a fully-produced play and original score. The production, inspired by Arthur Schnitzler’s 1897 play *La Ronde*, will unfold on the streets of DUMBO, Brooklyn, offering audiences and performers alike an unconventional theatrical experience. Auditions are scheduled for March 24th, 2026, at Ripley Grier Studios in Manhattan.

“The Circuit” distinguishes itself through its immersive nature, utilizing silent disco technology to deliver both the play’s narrative and its musical accompaniment directly to audience members and performers via headphones. This allows for a dynamic and intimate experience, even within a public space. The production team is looking for performers who possess not only strong dance skills but also the ability to convey complex emotions and narratives through movement alone, as the piece features minimal spoken dialogue. The project aims to create a captivating and emotionally resonant experience for both participants and observers, pushing the boundaries of traditional theatrical performance.

Audition Details and Character Breakdown

The open call for dancers will be held on March 24, 2026, at Ripley Grier Studios (520 8th Ave, Room 16D) in New York City. Prospective performers are asked to arrive between 9:00 AM and 9:30 AM to sign up for a 30-minute audition slot, which will be allocated between 10:00 AM and 4:00 PM. Callbacks are scheduled for March 25th and 26th, 2026, and may include partnering work. All performers must be at least 21 years of age.

The production is seeking a diverse cast to fill several roles, each with distinct characteristics. The character breakdowns, as outlined by the New York Theatre Company, include:

  • Alanna: A female-presenting character in her late teens or early 20s, described as eager, optimistic, and romantic, seeking “true” love.
  • Morgan: A male-presenting character in his early to mid-20s, wealthy, attractive, and seemingly possessing a perfect life, but harboring underlying loneliness and emotional turmoil. The role requires the performer to be comfortable performing shirtless.
  • Cat: A female-presenting character in her late 20s or early 30s, described as a confident and thrill-seeking individual with a substantial online presence. She is married to Dee.
  • Dee: A female-presenting character in her mid-30s, Cat’s wife, portrayed as strong-willed, organized, and focused, working in the banking sector.
  • Christian: A male-presenting character in his early to mid-30s, described as a lost soul seeking attention and affection, with a penchant for substance use. The role requires the performer to be comfortable performing shirtless.
  • Everett: A male-presenting character in his early to mid-20s, Alanna’s best friend, appearing calm on the surface but possessing a hidden kinky side. The role requires the performer to be comfortable performing shirtless even as wearing a harness and pup mask.
  • Swings (2 Female-Presenting, 2 Male-Presenting): Performers who will cover multiple roles as needed.

Production Schedule and Compensation

Rehearsals for “The Circuit” are scheduled to begin on April 20, 2026, with the first preview performance slated for May 13, 2026. The official opening night is set for May 21, 2026, with the production currently scheduled to run through September 7, 2026. The rehearsal schedule is designed to be flexible, averaging approximately 19 hours per week, allowing performers to pursue other professional commitments. The New York Theatre Company emphasizes that performers must have established local housing in New York City.

Compensation for performers will be $25 per hour, with a minimum of 19 hours guaranteed per week, including health coverage. Participation in the production will require membership in the American Guild of Variety Artists (AGVA), pending final agreement. The AGVA is a union representing performers in live entertainment, and membership provides benefits such as health insurance, pension plans, and contract protections. More information about AGVA can be found on their official website.

Creative Team and Audition Preparation

The creative team behind “The Circuit” includes Josh Zacher and John Kroft as Co-Directors, with Josh Zacher also serving as Choreographer. Katherine Winter is the Creative Producer for the New York Theatre Company. Additional team members will be announced at a later date. The team is seeking performers who are comfortable with audience interaction, maintaining eye contact, and improvising within the framework of the production.

For the audition, performers are asked to arrive warmed up and prepared to move. Appropriate attire includes sneakers, socks, or the option to perform barefoot. Heels and character shoes are not permitted. Performers should wear clothing that allows for comfortable movement and confident expression. The audition will involve learning a combination in a commercially theatrical contemporary style.

This production represents a bold step forward in immersive theatre, promising a unique and engaging experience for both performers and audiences. The combination of silent disco technology, contemporary dance, and a compelling narrative inspired by Schnitzler’s work positions “The Circuit” as a noteworthy addition to New York City’s vibrant arts landscape. The open call provides an opportunity for talented dancers and actors to contribute to this innovative project and push the boundaries of theatrical storytelling.

The next key date for prospective performers is the audition on March 24th, 2026. Those interested in participating are encouraged to arrive promptly at Ripley Grier Studios to secure an audition slot.

What are your thoughts on immersive theatre experiences? Share your comments below and let us grasp if you plan to audition for “The Circuit”!

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