Deconstructing Theatre: A Conversation with Theatre Dybbuk’s Artistic Director
Theatre Dybbuk is a nationally recognized ensemble dedicated to creating innovative, politically engaged performance. They’re not just putting on plays; they’re sparking conversations, challenging norms, and redefining what theatre can be. We sat down to discuss their unique approach, current projects, and a vision for the future of the art form.
What sets Theatre Dybbuk apart?
We focus on providing communication and collaboration training to organizations, equipping teams with the skills to connect and innovate.But at our core, we’re storytellers committed to addressing the structural and systemic issues shaping our society.
Our ensemble is intentionally diverse, drawing from a wide range of backgrounds and experiences. This ensures our work isn’t created in isolation,but is deeply informed by the perspectives of those within it.
We also believe in consistent engagement. While full-length productions take time, we supplement them with regular events, providing ongoing opportunities for artists and audiences to connect.
Currently on Stage & Beyond
Our recent tour of Dracula (Annotated), with performances in Tucson and Cincinnati, was a highlight. We’re now developing three new “illuminated lectures” for the coming year.
We’re also planning our next full production, continuing our “Annotated” series – a unique approach to classic texts. Our first in the series was The Merchant of Venice (Annotated),or In Sooth I know Not Why I Am So Sad. These productions aren’t simply revivals; they’re deconstructions,inviting audiences to critically examine the source material.
Pushing Boundaries: A Memorable Performance
One project that stands out is The Villainy You Teach. An actor performed Shylock’s “Hath not a Jew eyes” speech for two hours while other actors read the entirety of The Merchant of Venice.
The performance was designed to be open and accessible, allowing audiences to enter and exit as they pleased. It was a challenging, immersive experience for both performers and viewers, and that’s precisely what made it so compelling. We strive to create work that transcends traditional play production and ventures into the realm of performance art.
life Beyond the Stage
When I’m not immersed in theatre, I’m often experiencing other art forms - from contemporary dance to jazz. I also find solace and creativity in cooking. It’s a different kind of creative outlet, one without the immediate pressure of a live audience!
The Future of Theatre: A Collaborative exchange
I envision a future where theatre fully embraces its unique power: the dynamic exchange between performers and audience. As film, television, and streaming dominate entertainment, theatre’s strength lies in its singularity.
It’s a space for active engagement, where audiences aren’t just entertained, but challenged to grapple with the complexities of our world. Theatre, at its best, is a collaborative act of inventiveness, and that’s a future worth striving for.
![Tairāwhiti Police: Busy New Year’s Period & Crime Stats | [Year] Update](https://media.rnztools.nz/rnz/image/upload/s--AGO7pggg--/t_tohu-badge-facebook/v1767250327/4JVGY97_insp_danny_kirk_commissioner_richard_chmabers_and_supt_jeanette_park_rv_281225_jpg?_a=BACCd2AD "Tairāwhiti Police: Busy New Year’s Period & Crime Stats | [Year] Update"){kind=icon}
