Wayne McGregor‘s “Infinite Bodies“: A landmark Exhibition Redefining Dance and Technology
[Figure with caption: Sir Wayne McGregor. Photo by Rick Guest and Olivia Pomp, courtesy Somerset House.]
A groundbreaking exhibition dedicated to the visionary work of choreographer Sir Wayne McGregor is set to transform London’s Somerset House from October 30th to February 22nd.”Infinite Bodies” isn’t a retrospective in the customary sense; it’s an immersive exploration of McGregor’s innovative practice, pushing the boundaries of dance, technology, and the human body itself.
Instead of showcasing costumes or set pieces, the exhibition focuses on experiential installations. Expect kinetic sculptures, never-before-seen experiments, and a powerful exhibition of how McGregor consistently explores the potential of movement in our increasingly digital world.
One highlight promises to be a captivating choreographic light installation created in collaboration with Random International. Ten thousand LEDs will respond dynamically to visitor movement, creating a “living sculpture” that blurs the line between audience and artwork. Visitors will also have the unique chance to interact with AISOMA, an AI tool developed with Google Arts & Culture Lab. This tool, trained on McGregor’s distinctive movement vocabulary, is already being used by his company to generate entirely new choreography.
The exhibition extends beyond Somerset house with the UK debut of On The Other Earth. This 360-degree immersive experience, recently premiered at the Venice Dance Biennale (where McGregor serves as director), transports audiences via VR headsets to surreal landscapes. Witness dancers from Studio Wayne McGregor and Hong Kong Ballet performing McGregor’s signature, fluid choreography on helipads and within stark black voids. The experience is designed to be visceral, with visual elements seemingly breaking the fourth wall and propelling viewers through space.
This exhibition marks a significant moment for Somerset House, coinciding with its 25th anniversary. Dr. Cliff Lauson, Director of Exhibitions, emphasizes the institution’s commitment to showcasing leading creative voices. “As a cross-disciplinary cultural center, we’re interested in celebrating and working with the best creative practitioners of our times,” he explains.
Throughout the exhibition’s run, Company Wayne McGregor will be in residence, activating the installations with live performances. Expect a robust program of public events, including workshops, talks, and musical performances. Crucially, “Infinite Bodies” aims to redefine the traditional relationship between performer and audience. Lauson notes the exhibition will “choreograph the movements of the visitor through the galleries,” creating a deeply sensory and participatory experience.
Dance exhibitions, like last season’s acclaimed “Edges of Ailey” at the Whitney Museum, are gaining momentum, but remain relatively rare. McGregor himself recognizes the unique opportunity this exhibition provides. “It is a rare and thrilling opportunity for a choreographic artist’s work to be experienced in an exhibition context,” he stated. “Infinite Bodies invites visitors to explore the power of movement through dance, design, and technology-and to experience choreography beyond the stage.”
this isn’t just an exhibition; it’s an invitation to witness the future of dance and a testament to Wayne McGregor’s enduring influence on the art form.








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