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The Controversy Surrounding barry Blitt’s 2008 New Yorker cover
In the summer of 2008, a New Yorker cover illustration by Barry Blitt sparked meaningful controversy and debate, reflecting the racially charged atmosphere surrounding Barack Obama‘s presidential campaign. The cover, published on July 21st, depicted Obama and his wife, Michelle, in a manner that many found deeply offensive and racially stereotypical.
The Image and Its Symbolism
The illustration portrays Barack Obama wearing a white thawb and sandals, with a turban resembling the Guggenheim Museum. Michelle Obama is depicted in camouflage pants, a black shirt, and an afro, with a rifle slung across her back. She is shown with a seemingly joyful expression, while Obama’s face is unreadable. An American flag burns in the fireplace, and a portrait of Osama bin Laden sneers on the wall. The couple is shown bumping fists, a gesture recently misconstrued as a “terrorist fist jab” by fox News commentator Sean Hannity.
The cover was laden with symbolism, drawing on existing racial tropes and anxieties prevalent during the campaign. The imagery evoked stereotypes associated with Islamic extremism and Black radicalism, playing on fears and prejudices surrounding the Obamas.
The Political and Social Context
The 2008 presidential election was a watershed moment in American history, with Barack Obama as the first major-party African American candidate. However, the campaign was also marked by a significant amount of racially charged rhetoric and misinformation.
Examples of this included:
- False claims about Obama’s birthplace,fueled by the “birther” movement, which questioned his citizenship.
- Rumors that Obama had been educated in a Muslim “madrassa.”
- The misrepresentation of Michelle Obama’s statement about not feeling fully “proud” of her country, which was distorted into accusations of anti-American sentiment. Snopes debunked the claim that she used the word “Whitey”.
- Hillary Clinton’s campaign aide, Mark Penn, repeatedly linking the name “Obama” with the word “cocaine” in a television interview, a tactic widely criticized as racially coded.







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