The 71st David di Donatello awards concluded with a historic victory for Sicilian cinema, as 83-year-old actress Aurora Quattrocchi—known affectionately to her peers and audiences as Rori—was named Best Actress. Quattrocchi’s win for her role in Gioia mia serves as a crowning achievement for a career rooted in the theatrical traditions of Palermo, bringing a seasoned, authentic presence to one of Italy’s most prestigious cinematic stages.
The ceremony, held on May 6, 2026, at the legendary Cinecittà studios in Rome, was marked by a strong showing for regional storytelling. Quattrocchi received her award from actor Raoul Bova, marking a poignant moment of recognition for an actress who began her professional journey in the theaters of Palermo long before reaching the national spotlight. Her victory is not merely a personal milestone but a symbol of the enduring power of veteran performers in an industry often focused on youth.
Although the evening saw Le città di pianura dominate the tally with eight statuettes, the emotional core of the night centered on the triumph of Gioia mia. The film’s success was multifaceted, as director Margherita Spampinato also took home the award for Best Debut Director, cementing the film as a critical darling of the 2026 season.
A Triumph for Sicilian Cinema
The success of Gioia mia represents a significant win for Sicilian artists. The synergy between Quattrocchi’s performance and Spampinato’s direction highlighted a narrative deeply tied to the cultural landscape of Sicily. The film’s commitment to authenticity extended beyond the acting; the production also earned accolades for its visual storytelling, with costumiers Maria Rita Barbera and Gaia Calderone receiving recognition for their work.

The competition in the Best Actress category was particularly fierce this year. Quattrocchi faced off against fellow Sicilian talent Tecla Insolia, who earned a nomination for her compelling performance in the film Primavera. The presence of multiple Sicilian nominees in the top categories underscores a burgeoning renaissance in regional Italian filmmaking, moving away from stereotypical portrayals toward nuanced, character-driven stories.
The Heart of ‘Gioia mia’
Gioia mia explores the generational and technological divide through a poignant, intimate lens. The plot centers on the encounter—and subsequent clash—between a young boy, raised in a hyper-connected, digital world, and his elderly Sicilian aunt, who exists largely outside the current technological era. Set during a summer devoid of technology, the film examines how human connection is forged when the distractions of the modern age are stripped away.

Quattrocchi’s portrayal of the aunt provides the film’s emotional anchor. At 83, her performance captures a specific kind of timelessness, contrasting the frantic energy of the modern child with the sluggish, deliberate wisdom of a woman who has witnessed the evolution of her homeland over eight decades. This dynamic serves as the primary engine for the film’s exploration of memory, patience, and family legacy.
A Lifetime of Art and a Call to Action
For Aurora Quattrocchi, the David di Donatello is a delayed but deserved coronation. Having spent decades honing her craft in the theaters of Palermo, her transition to the silver screen has been characterized by a refusal to compromise on artistic integrity. Her journey from local stages to the Cinecittà podium reflects a lifelong dedication to the performing arts.
However, Quattrocchi used her moment of triumph to address a critical issue facing the industry. In an emotional speech, she issued a plea for the reopening of large cinema halls. She emphasized that for films to truly reach a broad audience and maintain their cultural impact, the physical infrastructure of cinema must be preserved and revitalized. Her appeal resonated with many in attendance, highlighting the tension between the rise of streaming platforms and the irreplaceable experience of collective viewing in a theater.
Key Highlights of the 71st David di Donatello
| Category | Winner/Nominee | Work |
|---|---|---|
| Best Actress | Aurora Quattrocchi | Gioia mia |
| Best Debut Director | Margherita Spampinato | Gioia mia |
| Best Actress (Nominee) | Tecla Insolia | Primavera |
| Best Costumes | Maria Rita Barbera & Gaia Calderone | Gioia mia |
As the industry reflects on the results of the 71st edition, the focus now shifts to the wider release of Gioia mia, which is expected to bring Quattrocchi’s award-winning performance to audiences across the globe. The film stands as a reminder that the most powerful stories often emerge from the intersection of tradition and modernity.
We invite our readers to share their thoughts on the importance of regional cinema and the future of the movie-going experience in the comments below.