Arabian Desert Rock Art Reveals 12,000 Years of Lost Lush Landscapes

tom Metcalfe 2025-09-30 15:00:00

The camels at Jebel Misma have been frozen in a march for 12,000 years. “Thay are really ‍stunning,” says paleoanthropologist Michael Petraglia. “They’re beautiful,⁣ monumental.”

A ‍herd of ‍the animals is⁣ cut into a ⁢cliff towering above the mostly flat desert landscape⁤ of Saudi Arabia’s Nefud. The⁤ engravings are⁢ life-size, inscribed wiht about 150 other newly documented petroglyphs ‍ that all date to between 12,800 and 11,400 years ago, Petraglia and⁢ colleagues report September 30 in Nature ⁢Communications.

Rock art has been ‍ found in Saudi Arabia before, but those petroglyphs date from the Neolithic ⁣period around 8,000 years ago. The engravings found at Jebel Misma,Jebel Arnaan and Jebel Mleiha — all rock outcrops in ⁢a remote part⁢ of the Nefud,near its southern edge — are much older. The engravings can be seen for miles and were probably intended to mark territory or indicate nearby sources of water, says ⁤Petraglia, the director of the Australian Research Center for Human Evolution at Griffith University in Brisbane.

The newly discovered rock art was found during research for⁣ one ⁤of Petraglia’s projects, called Green Arabia. The team recently published evidence that the region was lush and verdant at times over the last 8 million years, indicating that the sahara and eastern desert regions⁢ were also‍ wet.

Petraglia and his colleagues think the earliest rock engravings ⁢at Jebel ⁤misma and ⁢the two other outcrops nearby ⁢were made by the first nomadic ⁤people to enter the region⁢ after‍ the Last ⁣Glacial Maximum,⁣ which made the region⁤ arid but ended about⁣ 19,000 years ago. As‍ the region became wetter, with more rain accumulating in temporary desert lakes or “playas,” wild animals such ⁣as camels, gazelles, aurochs and ibex arrived — followed by nomadic human hunters who⁤ relied⁣ on them‍ for food.

Rock‍ art at Jebel Arnaan shows ⁤the phases of engraving. Top left: phase 1 engravings (green) ⁣beneath phase 2 engravings⁤ (yellow); Top right: A naturalistic phase 3 ⁣camel engraving (white) underneath a “stylized” engraving from ⁣phase 4 (blue); Bottom left: An ⁢engraved ibex from⁤ phase 4 with “cartoonlike”⁢ eyes and⁢ horn (dark blue) above a phase 3 engraving of ⁤an auroch (light blue); Bottom‍ right: An⁤ equid (probably a ⁢wild ass) and its young (blue) from phase 4. Guagnin et al./Nature⁢ communications 2025

the hunters’ engravings were cut into the natural dark “varnish” that forms on desert rocks, to expose the⁢ sandstone beneath. Analysis shows they were made in⁢ four phases: The earliest, carved more than 12,000 years ago, ⁢depicted small, stylized women,⁢ ofen with accentuated curves, and were later covered by other engravings.‍ A second phase of petroglyphs depicted larger stylized human figures.

The stunning animal engravings — naturalistic‍ in style and up ⁣to 3 meters long — date from a longer third phase ⁢that ended about 11,000 years ago. Each animal⁤ is depicted with distinctive individual features.A fourth phase consists of “cartoonish” animal depictions that are ⁢more⁤ stylized and represent the evolution of the tradition, the study authors write.They note that ⁤the last lush era⁤ ended in ‍Arabia about 6,000 years ago, once again⁢ turning the Nefud into one⁢ of⁢ the driest places on Earth.

Excavations of trenches beside the engravings unearthed stone tools and other objects that reveal the artists had close links to other prehistoric⁢ peoples in the Eastern Mediterranean. But the size and style⁣ of the engravings set⁤ them apart and show the origins of a new tradition. The nomads were “creating this monumental rock ⁤art, which we never saw before,” Petraglia says.⁢ “This is a brand new phenomenon.”

A researcher excavates a trench near the camel engravin
one of the researchers excavating a trench beneath a camel ⁢engraving ‍at Jebel Arnaan. A “naturalistic” camel figure was⁤ engraved ⁣there in phase 3 and a “stylized” engraving superimposed later, during phase 4. ‍ Sahout⁢ Rock⁢ Art and Archaeology Project

Paleoclimatologist⁣ Paul Wilson of the university of Southampton in⁣ England says the research by Petraglia and his colleagues ⁢shows ⁤how prehistoric humans ⁣adapted to changes in climate. “Just like its African⁤ counterpart [the Sahara], the Arabian desert is graced by⁤ countless prehistoric engravings and paintings that provide … incontrovertible evidence of occupation by our ancient ancestors,” he says.

archaeologist Anna Belfer-Cohen,a professor emerita at the Hebrew University of jerusalem who studies the prehistory of the region,says it ⁢might be expected that prehistoric people in Arabia were⁣ experimenting with ‍new ways of living. The ⁣work by Petraglia and‍ his colleagues opens a new⁣ window into⁤ a ⁢past time. “It tells the story ‍of a region that was for years terra incognita, so much so that people did⁢ not even consider ⁢exploring it,” she ‍says.“These findings are eye-openers.”

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