A Whirlwind of Desire and Decadence: “Exceptional Women” at the Jermyn Street Theatre
The 1920s come alive with a delightful, dizzying energy in “Extraordinary Women,” currently captivating audiences at the Jermyn Street Theatre. This new musical plunges you into a world of liberated spirits,tangled affections,and unapologetic hedonism,offering a vibrant escape into a bygone era of artistic and sexual exploration.
The production, adapted from Radclyffe Hall’s novel, doesn’t aim for profound statements. Rather, it delivers a thoroughly entertaining evening fueled by strong performances and a playful spirit. You’ll find yourself swept away by the sheer audacity of its characters and the infectious energy of the ensemble.
A Labyrinth of Love and Longing
The story unfolds on a secluded island retreat, a haven for a collection of unconventional women and the men entangled in their lives. Rosalba (Amy Ellen Richardson) reigns as the magnetic, aristocratic center of attention – and a notorious flirt.
Around her orbit a engaging array of characters:
Aurora (Caroline Sheen): Rosalba’s devoted, yet often overlooked, lover.
Cleo (Sophie Louise Dann): A vivacious French singer, partnered with Olga, but perhaps harboring a secret interest in Rosalba.
Olga (Monique Young): Cleo’s partner, adding another layer to the complex web of relationships. Olimpia (Amira Matthews): A wealthy American composer, drawn into rosalba’s orbit.
Lulu (Jasmine kerr): A young woman exiled to the island for a forbidden love.
The narrative intentionally blurs the lines of fidelity, embracing a fluid approach to romance. It’s a world where bed-hopping isn’t scandalous, but simply a reflection of bohemian freedom. You might lose track of who is pursuing whom, but that’s entirely the point.
Gods and Glamour
Adding a touch of the mythical, ancient Greek goddesses – including Sappho – observe the mortal drama, offering wry commentary. These interventions,while occasionally heavy-handed,provide a unique framing device.
However, the true strength of the production lies in its aesthetic and performance. Live music and songs seamlessly blend romantic ballads with satirical takes on the avant-garde. Carla Joy Evans’ art deco costumes are meticulously crafted,transporting you directly to the 1920s.
A Stellar Cast Brings the Era to Life
The cast is uniformly excellent, elevating the material with their commitment and charisma. Richardson embodies Rosalba with a captivating swagger reminiscent of Marlene Dietrich. Dann is a comedic force as Cleo, delivering every line with brilliant exaggeration.
Jack Butterworth deserves particular praise for his remarkable versatility. He single-handedly portrays all the male characters - a wounded Scottish waiter, a foppish friend, and a jilted fiancé – with impressive skill and comedic timing.
A Revival Worth Celebrating
While the novel’s radicalism may have been more groundbreaking in 1928, this revival finds its power in sheer entertainment. It’s a lighthearted, mischievous production that doesn’t take itself too seriously. You’ll leave the theatre with a smile on your face and a renewed gratitude for the spirit of the Jazz Age.
Where to See It:
Jermyn Street Theatre, London, until August 10th.