Katy Perry‘s ”Lifetimes” tour: A Spectacle That Sometimes Overshadows the Star
Katy Perry’s current tour, “Lifetimes,” is a vibrant, aspiring production. Though, it frequently feels as though the elaborate staging competes with the artist herself. While Perry shines brightest when connecting directly with the audience, the show often gets lost in a whirlwind of visual effects.
The recent single showcased this imbalance. Though undeniably more engaging live, the performance was dominated by elaborate props - including a large statue – that diverted attention from Perry’s entrance. It’s a pattern throughout the show: constant activity, from aerial acrobatics to pyrotechnic gloves, that feels excessive.
Finding the Sweet Spot: When Simplicity Works
Fortunately, the concert isn’t without its moments of genuine connection. Perry truly comes alive during a medley of her classic hits like “California Gurls,” “Teenage Dream,” and “Hot N Cold.” these performances demonstrate that she doesn’t need a theme park’s worth of spectacle to captivate an audience.
Indeed, a more stripped-down approach allows her inherent charisma to take center stage. Tracks like “Crush” and “Nirvana” benefited from this energy, though the momentum was often interrupted by costume changes and complex video interludes.
A Battle with Distraction
During powerful anthems like “Part of Me” and “Rise,” Perry engaged in choreographed battles with dancers, her image projected with a target overlay. This imagery, intended to represent defiance against criticism, felt somewhat heavy-handed. Remarkably, the moments were she simply sang, unburdened by elaborate staging, were the most impactful.
A particularly charming segment featured “The One That Got Away,” performed with her keyboardist and guitarist in a playful, retro setup. This intimate setting allowed for genuine interaction with fans, creating a connection that resonated deeply.
A Show tailored for a Younger Audience
Watching the concert can feel akin to sensory overload, much like the experience of a sugar-fueled child.Unsurprisingly, a notable portion of the audience comprised young children accompanied by millennial parents who grew up with Perry’s music. Her bright, playful aesthetic translates well to children’s entertainment.
Ultimately, if Perry trusted the strength of her core material to stand on its own, “Lifetimes” could be a more universally enjoyable experience. Allowing the music to breathe, rather than constantly surrounding it with spectacle, would elevate the show for audiences of all ages and attention spans.
Upcoming Tour Dates:
* October 8: AO Arena, Manchester
* October 10: utilita Arena, Sheffield
* October 11: Utilita Arena, Birmingham
* October 13 & 14: The O2, London
