The world of kabuki, Japan’s classical dance-drama, is rarely depicted with such unflinching honesty as in Lee Sang-il’s sprawling, nearly three-hour epic, “Kokuho.” Released to critical acclaim and becoming Japan’s biggest live-action hit, the film delves into the intense dedication, sacrifice, and often-brutal competition required to achieve mastery within this highly stylized art form. More than just a backstage pass to the vividly costumed and meticulously choreographed performances, “Kokuho” is a complex character study exploring the fraught relationship between two aspiring onnagata – male actors specializing in female roles – and the powerful mentor who shapes their destinies. The film, which expands nationwide on February 20th, offers a compelling, if sometimes unsettling, look at the price of ambition and the elusive nature of artistic greatness.
The narrative unfolds across decades, beginning in 1964 Nagasaki. Fourteen-year-old Kikuo (initially portrayed by Soya Kurokawa) displays a natural talent during a New Year’s performance, captivating Hanjiro (Ken Watanabe), a celebrated kabuki master. Tragedy strikes when Kikuo’s father, a figure connected to the yakuza, is murdered, leaving the boy orphaned. Hanjiro, recognizing Kikuo’s potential, takes him under his wing, providing not only artistic training but also a surrogate paternal figure. Simultaneously, Hanjiro begins mentoring his own son, Shunsuke (Keitatsu Koshiyama), fostering a close bond between the two young men as they navigate the rigorous demands of becoming onnagata in his Osaka studio. The early scenes establish a delicate balance of affection and discipline, highlighting the demanding physical and emotional toll of mastering the art form.
The Diverging Paths of Two Aspiring Stars
The film then leaps forward to the early 1970s, introducing the adult versions of Kikuo (Ryo Yoshizawa) and Shunsuke (Ryusei Yokohama). Now a recognized kabuki duo, their contrasting personalities begin to surface. Kikuo remains reserved and introspective, while Shunsuke embraces a more flamboyant and outgoing persona, readily dominating interviews and seeking public attention. Despite their differences, they continue to perform together, their complementary skills creating a captivating stage presence. Still, a fundamental imbalance exists: Kikuo possesses a natural gift for the art, but lacks the familial lineage that often dictates success in the traditionally hierarchical world of kabuki. Shunsuke, while less technically gifted, benefits from his father’s established reputation, virtually guaranteeing his future within the profession. This inherent inequality sets the stage for the escalating tensions that will ultimately fracture their friendship.
Lee Sang-il, adapting a novel by Shuichi Yoshida, masterfully maps the evolution of this complex relationship against the backdrop of kabuki’s intricate traditions. The film doesn’t shy away from depicting the less glamorous aspects of the art form, including the intense rivalry, the pressures of maintaining a public image, and the potential for exploitation. The Oscar-nominated makeup, a crucial element of kabuki performance, is more than just aesthetic; it’s a transformative process that allows actors to embody different characters and transcend their own identities. The blinding-white face paint and vibrant red lipstick are symbolic of the dedication and discipline required to fully immerse oneself in the role. As noted by Gold Derby, the film’s attention to detail in this area has garnered significant recognition. Bong Joon Ho and Sang-il Lee recently discussed the significance of the makeup in “Kokuho”, highlighting its integral role in the storytelling process.
Kabuki as a Mirror to Human Ambition
“Kokuho” doesn’t simply present kabuki as a beautiful spectacle; it uses the art form as a lens through which to examine universal themes of ambition, betrayal, and the pursuit of perfection. The film’s generous excerpts of various kabuki pieces, accompanied by informative captions detailing the plot and context of each performance, add depth and nuance to the narrative. These performances, while rarely directly mirroring the interpersonal drama between Kikuo and Shunsuke, provide a rich cultural backdrop and underscore the emotional weight of their struggles. The striking set designs and elaborate costumes further enhance the visual impact, creating a world that is both captivating and unsettling. The film’s running time of 2 hours and 54 minutes allows for a thorough exploration of these themes, though some viewers may uncover the pacing deliberate.
As the decades pass, the fortunes of Kikuo and Shunsuke fluctuate dramatically. Both men experience moments of triumph and devastating setbacks, including instances of physical and emotional abuse. Lee avoids presenting either character as a simple hero or villain, instead allowing their complexities and contradictions to unfold gradually. The audience’s sympathies shift as they witness both men’s failings and enduring virtues. “Kokuho” is a robust melodrama, encompassing elements of sex scandals, betrayals, and unexpected comebacks, but these plot twists are grounded in a refreshingly unsentimental portrayal of the perils of stardom. The film challenges the notion that talent alone guarantees success, emphasizing the importance of perseverance and resilience in the face of adversity. The concept of a “national treasure,” the literal translation of “Kokuho,” is also deconstructed, revealing the inherent subjectivity and often misleading nature of such accolades.
The Performances and Lasting Impact
Ryo Yoshizawa and Ryusei Yokohama deliver compelling performances, imbuing their characters with a tenderness and vulnerability that transcends the film’s melodramatic elements. Yoshizawa portrays Kikuo’s delicate features and haunted past with nuance, gradually revealing the hidden depths beneath his reserved exterior. Yokohama effectively captures Shunsuke’s privileged upbringing and internal conflict, portraying a young man grappling with the burdens and benefits of his lineage. Their on-screen chemistry is palpable, making their eventual estrangement all the more heartbreaking. The actors’ ability to convey the emotional weight of their characters’ journeys is central to the film’s success.
The lives of Kikuo and Shunsuke intersect, diverge, and occasionally reconnect, mirroring the cyclical nature of their performances on stage. This elegant dance between connection and separation encapsulates the film’s central theme: the enduring power of friendship, even in the face of ambition and betrayal. “Kokuho” is not merely a film about kabuki; it’s a film about the human condition, exploring the complexities of relationships, the pursuit of dreams, and the enduring search for meaning. As Moviejawn notes, the film “lavishly explores the dedication, pain, and sacrifice it takes to become a national treasure.” Read more about the film’s exploration of these themes here.
“Kokuho” leaves audiences contemplating the true meaning of artistic achievement and the sacrifices required to attain it. The film’s unflinching portrayal of the darker side of the entertainment industry serves as a cautionary tale, reminding us that even the most talented individuals are susceptible to the corrosive effects of ambition and rivalry. As the film concludes, it doesn’t offer easy answers or neat resolutions, but rather invites viewers to reflect on the complexities of human nature and the enduring power of art. The film is currently playing in limited release, with screenings continuing throughout February and March.
With its nuanced performances, stunning visuals, and thought-provoking themes, “Kokuho” is a cinematic achievement that deserves to be seen. The film’s exploration of kabuki culture provides a fascinating glimpse into a world rarely depicted on screen, while its universal themes resonate with audiences of all backgrounds. Maintain an eye on local listings for showtimes and further updates on the film’s distribution.
What are your thoughts on “Kokuho”? Share your opinions in the comments below!