Leica M11 Monochrome: Black & White Photography on Hawaii’s North Shore

A Moody Lens on Oahu’s North Shore: Exploring Surf Culture in Black and White

Hawaii is often synonymous with vibrant color – the deep blues of the Pacific, the lush greens of the rainforests, and the fiery hues of its sunsets. But a recent photographic exploration of Oahu’s North Shore, undertaken with the Leica M11 Monochrome, demonstrates the compelling beauty of a different perspective: a world rendered in shades of gray. The project, born from a desire to test the camera’s capabilities, coincided with a February marked by challenging surf conditions and persistent rainfall, creating a uniquely atmospheric backdrop for capturing the essence of this iconic surfing locale. The resulting images offer a nuanced look at the lifestyle and craft surrounding the waves, revealing a depth often lost in the island’s celebrated vibrancy.

The North Shore, a legendary destination for surfers worldwide, presented a different face during this period. Strong northeasterly winds and frequent rain showers meant fewer opportunities for capturing the dramatic action of huge wave surfing. Yet, this presented an unexpected opportunity to focus on the quieter, more intimate aspects of the surf community – the artisans, the shapers, and the everyday moments that define life on the island. The Leica M11 Monochrome, with its ability to capture exceptional detail and tonal range, proved to be an ideal companion for documenting this more subdued side of the North Shore.

Josh Peterson prepping a blank to be shaped at CORE.

Chris Dodds

The Art of Shaping: A Black and White Perspective

One of the central themes explored through this monochrome lens was the art of surfboard shaping. The shaping room, a space often filled with dust, foam, and the focused energy of the craftsman, lends itself particularly well to black and white photography. The interplay of light and shadow, the textures of the materials, and the concentrated expressions of the shapers are all heightened in the absence of color. The project highlighted the perform at the Center of Radical Education (CORE), a hub for surfboard design and innovation, which has hosted a rotating roster of world-class shapers including Josh Peterson, Ashton Pickle, Barrett Miller, Ryan Lovelace, and Jim Yarborough. As detailed in the original photographic series, CORE occupies a space steeped in surfing history, formerly the shaping bay of the legendary Dick Brewer.

The right tools are a crucial part of any shop and shaping bay.

Chris Dodds

Beyond shaping, the camera captured glimpses into the broader creative ecosystem of the North Shore. CORE too functions as a creative studio and event space, recently hosting “Friday Night Films,” curated by photographer Eric Ippel, bringing together filmmakers and photographers from across the island. These events underscore the North Shore’s role as a cultural center for the surfing world, attracting artists and creatives drawn to its unique energy and landscape.

All bark, no bite.

Chris Dodds

A Classic Camera in a Modern Landscape

The photographer’s choice of equipment was also a key element of the project. Even as modern cameras with long lenses are often favored for capturing surfing action, the Leica M11 Monochrome, paired with a 28mm f/2 Summicron lens, offered a different approach. This combination allowed for a more intimate and immersive style of photography, focusing on the details and atmosphere of the North Shore rather than distant action shots. The project also incorporated a Leica M3, a classic camera manufactured between 1954 and 1966, offering a contrasting analog experience. Shooting film, despite its cost, provided an alternative medium for exploring light and composition, adding another layer of texture and nuance to the visual narrative.

“Papa G and Santi” with a fresh blade from Jimbo Yarborough.

Chris Dodds

The resulting images, captured during a period of less-than-ideal surfing conditions, reveal a different side of the North Shore – a world of craftsmanship, community, and quiet beauty. The monochrome palette emphasizes the textures, shapes, and emotions of the scene, offering a fresh perspective on a well-known destination. From the focused concentration of a surfboard shaper to the relaxed companionship of locals and their canine friends, the photographs capture the essence of a lifestyle deeply connected to the ocean and the art of riding waves.

Even dogs prefer when there’s good swell and nice weather to run along the beach and chase coconuts.

Chris Dodds

Windows of good surf were few and far between in February.

Chris Dodds

Serena Lutton and the Warm Collective crew on set for a Roxy shoot.

Chris Dodds

Ashton Pickle, aka Ah Vessels, in the shaping room at CORE.

Chris Dodds

Orders at the 3rd Stone factory in the Waialua Sugar Mill.

Chris Dodds

Waiting for the market.

Chris Dodds

Upstairs at 3rd Stone.
Waialua

The photographic series, and the exploration of the North Shore it presents, serves as a reminder that beauty can be found even in the absence of perfect conditions. It’s a testament to the enduring appeal of this iconic surfing destination and the vibrant community that calls it home. As the surfing season progresses and conditions improve, the North Shore will undoubtedly return to its reputation for spectacular waves. However, these images offer a valuable glimpse into the quieter moments, the artistic processes, and the enduring spirit that define this unique corner of the world.

Stay tuned to World Today Journal for continued coverage of sports, culture, and compelling visual storytelling from around the globe. We encourage you to share your thoughts on this photographic exploration of the North Shore in the comments below.

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