A Modern Resonance: Examining the RSC’s Compelling “Measure for Measure“
The Royal Shakespeare company’s current production of Shakespeare’s “Measure for Measure” isn’t simply a revival; it’s a starkly relevant exploration of power, justice, and the enduring struggle for women’s voices to be heard. This isn’t your grandmother’s Shakespeare – director Jo Burns delivers a razor-sharp interpretation that resonates deeply with contemporary concerns, especially regarding accountability and belief in female testimony. You’ll find yourself captivated by a production that feels both timeless and urgently of the moment.
A Play for our Times
What promptly strikes you is the production’s unflinching focus on the skepticism surrounding women’s accounts. Angelo’s chilling line, “Who will believe thee?” echoes with disturbing familiarity, mirroring the challenges faced in recent years highlighted in plays like “Red Like Fruit” and “Prima Facie.” It’s a horrifying realization that centuries-old anxieties about credibility persist today, and this production doesn’t shy away from that discomfort.
Burns makes a bold editorial choice by streamlining the play, removing the subplot involving Elbow and Mistress Overdone. This isn’t a detriment, though. Instead, it intensifies the central narrative, amplifying the tension and dread that permeate the story.The result is a more focused, emotionally impactful experience.
Striking Design and Powerful Performances
Asaf Zohar’s musical score, punctuated by strategically placed spotlights (designed by Joshua Pharo), adds another layer of emotional depth. Unexpectedly, Elvis Presley’s “Can’t Help Falling in Love” accompanies the pivotal bedroom swap between Isabella and Mariana, creating a haunting and memorable moment. The production doesn’t shy away from the play’s sexual politics, presenting them with a surprising and potent directness.
Even without the comedic relief of the excised subplot, the production finds humor in the hypocrisy of the male characters. Angelo’s final descent into shame, attempting to hide under his jacket, is both terrible and absurd.Similarly, lucio’s (Douggie McMeekin) disruptive and dishonest interruptions during the Duke’s speech are genuinely laughable.
A Stellar Cast Brings Shakespeare to Life
Each actor delivers a fully realized performance,showcasing a mastery of Shakespearean verse. Adam James embodies the Duke with the calculated demeanor of a power-hungry politician. isis Hainsworth’s Isabella is a revelation, evolving from a naive novice to a woman of immense strength and righteous anger – a modern Dorothy stepping into her power. Emily Benjamin’s Mariana is equally compelling, but it’s Patrick mothersdale as Angelo who truly shines, portraying a character who is both monstrous and disturbingly human.
A Nuanced Resolution
Ultimately, the women’s voices do prevail, though with crucial assistance from the Duke. This production handles the Duke’s unsettling marriage proposal to Isabella with a refreshing openness,avoiding the implication of further coercion. This nuanced approach offers Isabella a more satisfying liberation, aligning with contemporary sensibilities.
Key Takeaways:
* Relevance: This production powerfully connects Shakespeare’s themes to modern conversations about power and accountability.
* Direction: Jo Burns’s focused direction creates a tense and emotionally resonant experience.
* Performances: The cast delivers remarkable performances, bringing depth and nuance to their roles.
* Design: The music and lighting design enhance the play’s emotional impact.
If you’re looking for a Shakespeare production that challenges, provokes, and ultimately resonates, this “Measure for Measure” is a must-see.you can experience it at the Royal Shakespeare Theater in Stratford-upon-Avon until October 25th. https://www.rsc.org.uk/measure-for-measure/
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