Michael A. Muller & Otto A. Totland – Unna: Ambient Minimalism from Balmorhea & Deaf Center Members

The world of ambient and minimalist music has a modern voice, and it comes in the form of Ojas Music, the recently launched label from Devon Turnbull. The label’s inaugural release, Unna, is a captivating collaboration between Michael A. Muller and Otto A. Totland, two figures deeply respected within the experimental music landscape. This release marks a significant moment, not only for the artists involved but also for Turnbull’s broader vision of immersive audio experiences.

Turnbull, known for his dedication to high-fidelity sound and thoughtfully designed listening environments, founded Ojas Music as an extension of his audio, hi-fi, and design company of the same name. His commitment to the sonic experience is perhaps best exemplified by HiFi Listening Room Dream No. 1, a permanent installation at 180 Studios in London. This space is meticulously crafted to prioritize the nuances of sound, offering a truly immersive experience for listeners. The launch of Ojas Music, in partnership with The Vinyl Factory, further solidifies Turnbull’s dedication to providing a platform for artists who share his passion for sonic detail and artistic integrity.

A Meeting of Minimalist Minds

Unna, meaning “away” in Norwegian, is a fitting title for this project, reflecting both the geographical distance between Muller, based in the United States, and Totland, hailing from Norway, and the introspective nature of the music itself. The album operates as a sonic exploration of space and inward focus, where the boundaries of time seem to dissolve and attention is drawn to the subtle textures and delicate melodies. The collaboration brings together two distinct yet complementary approaches to minimalist composition.

Michael A. Muller is perhaps best known as the co-founder of Balmorhea, the instrumental duo celebrated for their evocative and atmospheric soundscapes. Beyond Balmorhea, Muller has established himself as a prolific composer and scorer, contributing to numerous film projects and collaborating with a diverse range of artists. His discography includes releases on Deutsche Grammophon and collaborations with artists such as Hania Rani, Alva Noto, Víkingur Ólafsson, The Album Leaf, and Douglas McCombs of Tortoise. Muller’s experience in crafting emotionally resonant soundscapes is evident in his contributions to Unna, providing a rich textural foundation for Totland’s piano work.

Otto A. Totland, is recognized as one half of Deaf Center, a Norwegian experimental/ambient duo that has been influential in shaping the landscape of minimalist music. Deaf Center’s releases on labels like Type Records and Sonic Pieces are considered seminal works within the genre. Totland has also garnered acclaim for his solo piano trilogy, produced by Nils Frahm, which showcases his delicate touch and evocative melodic sensibility. His solo work demonstrates a mastery of creating intimate and emotionally charged soundscapes, a quality that shines through in his contributions to Unna.

The Sonic Landscape of Unna

The musical interplay on Unna is characterized by a delicate balance between Totland’s intimate, close-miked piano and Muller’s textural contributions. Muller’s instrumentation – double bass, glockenspiel, Mellotron, and Rhodes – adds layers of depth and nuance to Totland’s piano melodies, creating a soundscape that is both spacious and emotionally resonant. The album’s minimalist approach allows each instrument to breathe, fostering a sense of quiet contemplation. The result is a work that invites listeners to immerse themselves in its subtle beauty and explore the depths of their own inner landscapes.

The limited edition release of Unna, restricted to just 500 copies worldwide on 180g vinyl, underscores the label’s commitment to quality and exclusivity. Available through The Vinyl Factory, the album is already attracting attention from collectors and audiophiles alike. Listeners can preview the track ‘Rolig’ through a visualiser accompanying the release, offering a glimpse into the album’s atmospheric world.

Devon Turnbull and the Pursuit of Sonic Perfection

The release of Unna is particularly noteworthy given Devon Turnbull’s broader artistic vision. His dedication to creating optimal listening environments extends beyond his personal collection and into public spaces, as evidenced by the HiFi Listening Room Dream No. 1 at 180 Studios. This installation, designed with meticulous attention to detail, aims to honor both the music and the listener, providing a space where sound can be experienced in its purest form. Turnbull’s approach reflects a deep understanding of the interplay between acoustics, design, and the emotional impact of music.

Turnbull’s philosophy, as detailed in a 2023 interview with FACT Magazine, centers around the idea of creating a holistic listening experience. He believes that the environment in which music is heard is just as important as the music itself, and he strives to create spaces that enhance the emotional connection between the listener and the art. This commitment to sonic perfection is a driving force behind both his audio company and his new record label, Ojas Music.

The launch of Ojas Music with Unna signals a promising start for the label, and a continuation of Turnbull’s dedication to elevating the listening experience. The collaboration between Muller and Totland exemplifies the label’s commitment to showcasing artists who push the boundaries of minimalist and ambient music. As Ojas Music continues to grow, it is poised to become a significant force in the world of experimental sound.

Looking ahead, Ojas Music has not yet announced further releases, but the success of Unna is likely to attract a diverse range of artists who share Turnbull’s vision. Fans of ambient and minimalist music will undoubtedly be eager to witness what sonic landscapes Ojas Music unveils next. The limited availability of Unna encourages those interested to acquire a copy from The Vinyl Factory while supplies last.

What are your thoughts on the collaboration between Michael A. Muller and Otto A. Totland? Share your impressions in the comments below, and be sure to share this article with fellow music enthusiasts!

Leave a Comment