Is the Mystery Fading? A Deep Dive into Only Murders in the Building Season Five
Season five of Only Murders in the Building presents a compelling, yet somewhat fractured, continuation of the beloved series. While still enjoyable, the latest installment feels like a departure from the tightly woven narratives that initially captivated audiences.Let’s explore what’s working, what’s faltering, and whether this iconic show can recapture its former brilliance.
A New Case, A Familiar Formula…Initially
The season kicks off with a classic OMITB setup: a murder within the Arconia’s walls. This time, the victim is Lester the doorman (Teddy Coluca), quickly followed by another suspicious death. You’re immediately presented with a web of potential suspects,including a glamorous Italian widow (played by Téa Leoni) and a potential romantic interest for Charles,who is undergoing testosterone therapy.
However, the initial promise of a compelling mystery begins to unravel as the season progresses. The clues – a missing finger, mafia ties, a malfunctioning elevator – feel disjointed rather than organically connected.
Shifting Focus and Lost Momentum
Several key elements contribute to this shift in momentum.
The Podcast’s Diminished Role: the podcast, once central to the show’s charm and investigative process, takes a backseat.
Red Herring Overload: The sheer volume of red herrings overshadows genuine progress in the inquiry.
Location, Location, Location: Too much of the action unfolds outside the Arconia, diminishing the claustrophobic, character-driven atmosphere that defined earlier seasons.
Fragmented Team Dynamics: The core trio – Charles, Oliver, and Mabel – are frequently separated, particularly with the return of Oliver’s wife, Loretta (Meryl Streep).
Streep’s Return: A Case of Too Much of a Good Thing?
While Meryl Streep’s performance is undoubtedly stellar, her presence feels…excessive. A little of Streep goes a long way, and her comedic timing feels misaligned with the show’s established tone.Keeping her away from overtly comedic scenes would likely serve the narrative better.
Character Quirks and Missed Opportunities
Several character moments feel forced or underdeveloped. Howard’s (Michael Cyril Creighton) relationship with the new robot-doorman veers into awkward territory. Renée Zellweger‘s portrayal of a billionaire relies heavily on mannerisms, lacking the depth and nuance of previous guest stars.
Fortunately,Christoph Waltz delivers a performance that feels perfectly aligned with the show’s classic style – a true joy to watch. However, the return of Oliver’s signature snort, a once-charming quirk, feels unneeded and detracts from the show’s refined comedic sensibility.
Still a Worthwhile Watch, But…
Despite these shortcomings, Only Murders in the Building remains a charming and engaging series. Martin Short, Steve Martin, and Selena Gomez continue to embody their characters with skill and authenticity. Ther are still enough flashes of the old magic to keep you invested and hopeful for a course correction in season six.
The Verdict: A Show in Need of a Reset
To conclude the series now would be a disservice to the characters and the legacy it has built. A return to the core elements that made Only Murders in the Building a phenomenon – a tightly woven mystery, compelling character dynamics, and a focus on the Arconia itself – is crucial for its continued success.
Only Murders in the Building is currently available on Disney+.
