The Unexpected Genesis of Giant Opening Mouth on the Ground
Phil Elverum’s latest release, Giant Opening Mouth on the Ground, boasts a fascinating backstory rooted in improvisation adn a decade-long wait. It’s a testament to the beauty of unearthed recordings and the enduring creative partnership between Elverum and Arrington de Dionyso.
The album’s origins lie in an afternoon spent at the Unknown, a unique space in Anacortes, washington. Elverum and de Dionyso engaged in a spontaneous musical exploration.
Here’s how the session unfolded:
Elverum meticulously adjusted elements of a sculptural piece.
De Dionyso layered soundscapes with his contrabass clarinet and vocalizations, alongside the project lalove.
The entire session was captured, initially intended for no immediate release.
For ten years, thes recordings remained untouched. Then, in December 2024, Elverum rediscovered the material. He carefully curated the recordings, shaping them into the six distinct songs that comprise giant Opening Mouth on the Ground.
Later, the album underwent a final polish. JJ Golden,based in Ventura,California,expertly mastered the tracks,ensuring a rich and dynamic listening experience.
This collaboration isn’t a new phenomenon. Elverum and de Dionyso share a long history of artistic connection. You might recognize de Dionyso’s contribution to the 1998 Microphones compilation, Tests.
Furthermore, Elverum has previously honored de Dionyso’s work. He included his interpretation of “Mystery Language,” originally penned by de Dionyso’s band Old Time Relijun, on the 2010 Mount Eerie compilation, Song Islands, Vol. 2. Elverum even produced and played drums on the original recording of that song, Witchcraft Rebellion.
But perhaps the most endearing anecdote highlighting their friendship is a viral moment. De Dionyso generously shared a video of Elverum’s surprisingly enthusiastic karaoke rendition of Lil Wayne and T-Pain’s “Got Money” on YouTube. It’s a playful reminder of the genuine camaraderie between these two artists.
Giant Opening mouth on the Ground* is more than just an album; it’s a snapshot of a creative moment, preserved and brought to life after a decade of dormancy. It’s a compelling listen for anyone interested in the organic evolution of music and the power of long-term artistic relationships. You’ll appreciate the raw, intimate feel of the recordings, a testament to the unique chemistry between Elverum and de Dionyso.