Saint Etienne’s “International“: A Fitting, Pop-Infused Farewell
Saint Etienne, teh architects of elegant, sample-laden pop, are calling it quits after nearly 30 years. but they aren’t going quietly.Their final album, International, isn’t a somber reflection, but a vibrant, unapologetically pop celebration of everything that’s made them unique. It’s a fitting send-off, brimming with collaborations and a renewed focus on the infectious melodies that defined their career.
This album arrives hot on the heels of last year’s more experimental The Night. Interestingly, both were conceived simultaneously, representing two sides of saint Etienne’s rich sonic landscape. While the Night explored ambient textures, International reignites their passion for a killer hook.
A Legacy of collaboration & Crossover Appeal
Saint Etienne has always operated at the intersection of indie and dance music. They’ve seamlessly moved between crafting soundtracks (like their 2002 Finisterre project) and dominating indie dancefloors throughout the 90s. International continues this tradition, boasting an impressive roster of collaborators.
* Tim Powell: The producer (Sugababes, Girls Aloud, Pet Shop Boys) brings his undeniable pop pedigree.
* Paul Hartnoll (Orbital) & Tom Rowlands (The Chemical Brothers): These electronic music pioneers add their signature touch, nodding to Saint Etienne’s electro roots.
These collaborations aren’t just name-dropping; they genuinely elevate the album’s sound.
Rekindling the Pop Flame: Key Tracks & Themes
the album opens with “Glad,” a radiant, uplifting track co-written with Rowlands and featuring doves’ guitarist Jez Williams.It’s a sonic remix of their early indie-pop sound, evoking the warmth of Karen Carpenter with its lush vocals and optimistic lyrics about finding joy in simple moments.
Powell’s influence shines on “Dancing Heart,” a sleek disco track with shimmering synths and harp-like textures.Simultaneously occurring,Erol Alkan lends his expertise to “Sweet Melodies,” transporting listeners to a pop paradise.
international isn’t afraid to explore a range of emotions. You’ll find:
* Bittersweet reflection: ”Fade” offers a breakbeat-driven exploration of melancholy.
* Empowerment: “Why Are You Calling” delivers a tough, no-nonsense dismissal.
* Funky grooves: “Save It For A Rainy Day” (with Flash Cassette) is a collaboration that’s pure electro-funk.
The album also features contributions from pop royalty. Nick heyward of Haircut 100 adds a honeyed glow to the duet “The Go Betweens,” while Vince Clarke (Erasure) co-writes “Two Lovers,” a breathy,empathetic tale of a secret affair.
A Vibrant Finale: “Brand New Me” & A Thoughtful Farewell
“Brand New Me” is a standout track, channeling the energy of Confidence Man‘s Grace Stephenson (Janet Planet). It’s an anthem of invincibility, propelled by swaying strings and brass flourishes. It’s a reminder that reinvention is always possible.
The album concludes with “The Last Time,” a twinkly synth valediction. It’s a surprisingly personal track, touching on social media, pop culture references (Adam Ant, Frantic Five), and a hint of autobiography. Saint Etienne, known for letting their music speak for itself, offer a rare glimpse behind the curtain.
Ultimately, International is a testament to Saint Etienne’s enduring creativity and their ability to evolve while staying true to their core aesthetic. They aren’t just ending a chapter; they’re bowing out on top form, leaving behind a legacy of clever, sophisticated, and undeniably catchy pop music.
This album isn’t just for longtime fans; it’s an invitation for new listeners to discover the magic of Saint etienne. It’s a vibrant au revoir that leaves you feeling both satisfied and a little sad to see them go.
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