Terry Riley at 90: A Lifetime of musical Innovation Continues to Bloom
Terry Riley, a towering figure in 20th and 21st-century music, recently celebrated his 90th birthday with a flurry of performances and releases that underscore a career defined by relentless exploration and a profound connection to the present moment. From minimalist landmarks to deeply personal reflections, Riley’s work continues to captivate and inspire. This isn’t simply a retrospective; it’s a testament to an artist actively evolving, sowing seeds for future generations while revisiting and reimagining his own groundbreaking creations.
A Return to Roots & New Horizons
Recent years have seen Riley drawn back to foundational elements of his musical language, ofen sparked by his extended periods living in Japan. He’s been revisiting the Great American Songbook,pieces he’s known since his student days at Mills College,but approaching them with a fresh viewpoint.
This led to “Standard(s)and,” a stunning solo piano recording of jazz standards released in Japan on vinyl. It’s a deeply personal collection,beginning with echoes of Bill Evans before blossoming into Riley’s signature spacious,ethereal soundscapes. you can easily order it in the US and experience the lush analog warmth for yourself.
But Riley isn’t just looking back. He’s also revisiting pivotal works like “In C,” the piece that arguably launched the minimalist movement. After declaring his retirement from performing it in 2009, he felt compelled to make an exception for the 60th anniversary.
He envisioned a performance under the full moon, ultimately choosing the Kiyomizu-dera shrine in Kyoto – a location he felt held a unique magical energy. This wasn’t merely a performance; it was a symbolic return to the core principles of “In C”: open-endedness, freedom, and a toolkit for individual expression.
Collaborations & The passing of the Torch
Riley’s influence extends far beyond his own compositions. He actively fosters collaboration, and his recent work highlights exciting partnerships with younger artists.
Claire Chase: The acclaimed flutist and this year’s Ojai Festival music director, has become a key muse for Riley. Their collaboration resulted in “The Holy Lift Off,” a 45-minute work performed with the JACK String Quartet. critics have described it as a 21st-century Ravel – beautifully meditative, yet remarkably free-flowing. You can experience it yourself on youtube: