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## Finding Resonance in Times of Crisis: june Jordan’s Poetry and the urgent Call for global Solidarity
The world feels heavy with conflict, and finding a moral compass can be overwhelming. Frequently enough, turning to art – specifically poetry – offers a pathway not just to understanding, but to *action*. June Jordan, a Black feminist poet, essayist, and activist, provides precisely that guidance, her work resonating with a fierce urgency that feels especially vital today. Her poems aren’t simply observations; they are demands for reckoning and unflinching solidarity with those facing oppression globally.
### A Legacy of Confronting Power
Jordan’s work consistently challenged the United States’ role as an actor in genocidal horrors inflicted upon Black and Brown communities worldwide. she didn’t shy away from naming the complicity – from past ties to apartheid South Africa to the ongoing, unconditional support of Israel’s occupation of Palestine. This wasn’t abstract political commentary for Jordan; it was a deeply personal and ethical imperative.
Her commitment stemmed from a profound belief in interconnectedness. This is powerfully illustrated in her 1985 poem, “Poem for South African Women.” You can find it [here](https://poets.org/poem/poem-south-african-women), and it’s a testament to the power of recognizing shared struggles.
### “I Am Become a Palestinian” – Embracing Intersectional Solidarity
In her 1985 poem “Moving towards Home,” Jordan embodies this solidarity with startling intimacy. She writes, “I was born a Black woman / and now / I am become a Palestinian.” This isn’t about erasing identity, but about expanding it to encompass the suffering of others.
Consider this a call to action. Jordan asks *you* to undergo a similar reckoning, starting with acknowledging your own comfort and safety – “the living room… where my children will grow without horror” – before turning outward to the pain of the world. It’s a challenging, but necessary, process.
### A Prescient Warning: “The Bombing of Baghdad”
Following the U.S. bombing campaign of iraq,Jordan penned “The Bombing of Baghdad” in 1997. You can read the poem [here](https://poets.org/poem/bombing-baghdad). It serves as a chillingly prescient indictment of neoconservative policies – policies that, as noted, continue to shape U.S. foreign policy today.
The poem’s most devastating lines cut to the core of willful ignorance:
> “And all who believed that holocaust means something / that only happens to white people / And all who believed that Desert Storm / signified anything besides the delivery of an American / holocaust against the peoples of the Middle East / All who believed these things / they were already dead / They no longer stood among the possibly humane.”
Jordan isn’t merely condemning the act of bombing; she’s condemning the *justification* for it, the selective empathy that allows atrocities to be committed against certain populations.
### Finding Strength in Jordan’s Work
When your own writing or thinking feels stagnant, Jordan’s poetry offers a vital re-centering. It’s a path back to yourself and to the urgency of liberation – a liberation rooted in affirming life itself.The final lines of “The Bombing of Baghdad” encapsulate this spirit:
> “And here is my song of the living / who must sing against the dying / sing to join the living / with the dead.”
This isn’t a morbid call, but a powerful assertion of responsibility. It’s a reminder that to be alive is to be obligated to fight for the lives of others. – *Jonah Valdez*
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