A Glimpse Behind the gilded Gates: Reflecting on “The Queen of Versailles”
“The Queen of Versailles,” a new musical currently playing, attempts a captivating, if ultimately uneven, exploration of American excess and the pursuit of the dream. It’s a show built around the real-life story of Jackie Siegel and her family, documented in the 2012 film of the same name, and anchored by the undeniable talent of Kristin Chenoweth. Though, despite its ambition and star power, the production struggles to fully coalesce into a satisfying theatrical experience.
A Score of Contrasts
the musical score,crafted by Schwartz,aims for a broad American soundscape reminiscent of “Wicked.” Yet, it lacks the same level of memorable, chart-topping numbers.Instead, the music shifts dramatically in tone.
* the first act delivers zingy satires like “Mrs. Florida” and “The Ballad of the Timeshare King.”
* The second act delves into more melancholic territory with songs like “The Book of Random,” where Victoria siegel expresses her vulnerability, and “Little Houses,” a surprisingly grandiose tribute to Jackie’s humble upbringing.
This tonal shift,while intentional,feels somewhat disjointed,preventing a consistent emotional throughline.
Unexpected Emotional Resonance
Surprisingly, one of the show’s most poignant moments arrives with “Pavane for a Dead Lizard.” This duet between Victoria and Jonquil, centered around a neglected pet reptile, stands out for its restraint. It avoids overt emotional manipulation, allowing the characters to reveal vulnerability without theatricality.White and Hopkins, as Victoria and Jonquil, truly shine here, shedding the defensive layers of their characters.
The Human Cost of Excess
melody butiu delivers a compelling performance as the Siegels’ Filipina nanny. Her character embodies the sacrifices made by those who support the lifestyles of the ultra-wealthy.Butiu’s portrayal highlights the stark contrast between the family’s extravagant spending and the quiet dignity of those who enable it. You feel her character’s stoicism and the weight of her responsibilities.
Chenoweth’s Brilliance, Constrained
Kristin Chenoweth is, as expected, a radiant presence on stage. She embodies Jackie Siegel’s comedic energy, directly engaging the audience and finding the humor in the character without resorting to mockery. Her performance in “Caviar Dreams,” where Jackie proclaims her desire to become “American royalty,” is a highlight.
However,the material ultimately limits Chenoweth’s ability to deliver the emotionally soaring performance she’s known for. The final number, “This Time Next Year,” feels notably weak, placing an undue burden on her to salvage a narrative that has lost its way.
Ambition and Its Challenges
“The Queen of Versailles” is a grand undertaking, designed to showcase chenoweth’s Broadway prowess. While she always appears polished and captivating, the production ultimately asks too much of her. New musicals are inherently risky ventures, and this one, with its ambitious scope, proves particularly challenging.
If you’re seeking a thought-provoking exploration of wealth, ambition, and the American Dream, this show offers intriguing moments. However, be prepared for a production that, despite its dazzling star power, doesn’t quite reach its full potential. It’s a reminder that even the most impressive facades can conceal a fragile foundation.
