Tiler Peck on the Evolution and Excitement of “Turn It Out with Tiler Peck & Friends”
The return of “Turn It Out with Tiler Peck & Friends” to New York City Center is generating significant buzz, and for good reason. This isn’t just another ballet performance; it’s a dynamic evening showcasing a diverse range of dance forms and artistic collaborations. Principal dancer Tiler Peck shares insights into the show’s journey, the creative process, and what audiences can expect.
A Project Born From Connection and Longing
Initially conceived during a period of isolation, the project’s origins are deeply personal. The first rehearsals were conducted with everyone in masks, fostering a unique sense of longing and a desire for connection. This initial experience profoundly shaped the work, imbuing it with a palpable emotional depth.
Peck emphasizes how the pieces have evolved as the dancers’ understanding of the choreography has deepened. Every performance feels fresh becuase of the infrequent opportunities to perform the work together. It’s a testament to the power of collaboration and the enduring impact of shared experience.
Embracing Diverse Styles and Artistic Growth
Interestingly, Peck’s dance background wasn’t solely classical. She initially trained in jazz and contemporary dance, utilizing ballet to strengthen her technique. This versatility allows her to comfortably navigate the varied styles presented in “Turn It Out.”
She actively seeks opportunities to be challenged by choreographers, not just physically, but intellectually and emotionally. Working with Alonzo King, she describes him as a philosophical thinker who encourages dancers to explore the human side of movement. Similarly, collaborating with bill T. Jones felt like receiving a masterclass in musicality and choreography simultaneously.
The Power of Musicality and Collaborative pushing
peck acknowledges the importance of musicality in her own dancing, but credits fellow choreographer Michelle Dorrance with constantly pushing her to perceive and interpret music on a deeper level. Dorrance’s acute ear challenges Peck to explore nuances she might otherwise miss.
“Turn It Out” intentionally breaks boundaries, incorporating multiple dance forms and even limiting pointe work to a single piece. It’s an evening designed to be more than just a ballet – it’s a celebration of dance in all its forms.
Don’t Miss the Performance
“Turn It Out with Tiler Peck & Friends” will be at New York City Center from October 16-19, 2025. Prepare to be captivated by an evening that is both innovative and deeply moving.
