BIA Responds to Megan Thee Stallion Following Reaction to Cardi B Diss Track
The ongoing feud between several prominent female rappers has taken a recent turn, with BIA responding to Megan Thee Stallion after a video surfaced of the latter laughing at lyrics from Cardi B’s recent diss track, “Pretty & Petty.” The track, featured on Cardi B’s album Am I The Drama, directly targets BIA, prompting a series of responses across social media. This latest exchange underscores the complex web of relationships and rivalries within the music industry and highlights the power of social media in amplifying these conflicts. The situation began during a recent TikTok livestream where Megan Thee Stallion’s reaction to Cardi B’s lyrics sparked widespread discussion and BIA’s retort.
The core of the dispute centers around a line in “Pretty & Petty” where Cardi B challenges BIA’s musical catalog, rapping, “Name five BIA songs, gun pointin’ to your head/Baow, I’m dead.” Megan Thee Stallion’s audible laughter at this line, captured during the livestream, quickly went viral, drawing criticism from BIA and her supporters. This incident is the latest in a series of escalating tensions between the artists, rooted in previous disagreements and competitive dynamics within the hip-hop scene. The public nature of the exchange, fueled by social media, has intensified the scrutiny and amplified the voices of those involved.
BIA’s Response: Referencing Past Statements and Aligning with Nicki Minaj
BIA did not directly address Megan Thee Stallion in a new song or public statement. Instead, she responded indirectly through her Instagram Story on Saturday, March 7, 2026, according to reports from Complex and Yahoo Entertainment. She shared a screenshot from a 2022 interview with Gayle King featuring Megan Thee Stallion, accompanied by the caption, “when I understand someone lying but I let them keep going anyway…” This post references a moment in the interview where Megan Thee Stallion admitted to previously misleading Gayle King about the nature of her relationship with Tory Lanez.
In the 2022 interview, as documented in her documentary Megan Thee Stallion: In Her Own Words, Megan Thee Stallion stated, “Yes, bitch, I lied to Gayle King, bitch,” explaining that she hadn’t anticipated being questioned about her relationship with Lanez during the interview, which was primarily focused on the shooting incident. She further elaborated, “I fucked this n***a like once, maybe twice, on a drunk night.” This admission, resurfaced by BIA, appears to be a pointed accusation of dishonesty directed at Megan Thee Stallion. The strategic use of this past statement suggests BIA is attempting to undermine Megan’s credibility and highlight a pattern of alleged deception.
Further solidifying her response, BIA also shared a selfie accompanied by audio from Nicki Minaj’s 2024 diss track, “Big Foot,” aimed at Megan Thee Stallion. Specifically, she highlighted the lyrics where Minaj accuses Megan of lying about being shot by Tory Lanez in 2020. This move signals a clear alignment with Nicki Minaj in the ongoing conflict and adds another layer to the complex dynamics between the artists. The inclusion of “Big Foot” suggests BIA is amplifying the accusations of dishonesty leveled against Megan Thee Stallion and reinforcing a united front with Minaj.
The History of the Feud: From Subliminal Shots to Direct Diss Tracks
The current exchange between BIA and Megan Thee Stallion is rooted in a longer history of tension and rivalry. As reported by HotNewHipHop, the initial friction between BIA and Cardi B began in early 2023, with BIA denying accusations of switching allegiances after appearing in a livestream with Nicki Minaj. This initial disagreement escalated over the following year, marked by subtle social media exchanges and, eventually, direct lyrical attacks.
In 2025, BIA released “SUE ME?” a diss track explicitly targeting Cardi B, even including a line aimed at Cardi’s children. Cardi B responded with “Pretty & Petty,” which, in addition to challenging BIA’s musical output, also took aim at her level of popularity. This back-and-forth exchange demonstrates the escalating nature of the feud and the willingness of both artists to engage in direct lyrical confrontation. The involvement of Megan Thee Stallion, through her reaction to “Pretty & Petty,” has further complicated the situation and broadened the scope of the conflict.
Adding another dimension to the conflict, BIA recently engaged in a separate exchange with Cardi B regarding Stefon Diggs, the New England Patriots wide receiver. BIA commented on a fan page post featuring Cardi B performing “Pretty & Petty,” making a remark about Diggs’s “bms” (baby mothers) compared to his receiving yards. This comment prompted a direct response from Cardi B during her tour stop at the Kia Forum in Inglewood, California, where she defended Diggs and cautioned BIA against speaking negatively about her former partner. Cardi B stated, “Let me tell you sumthin’, just cause I ain’t f*cking with my baby daddy, doesn’t indicate you obtain to talk about my baby daddy b*tch.”
The Broader Context: Female Rivalry in Hip-Hop
This latest exchange between BIA, Megan Thee Stallion and Cardi B is emblematic of a broader pattern of rivalry and competition among female artists in the hip-hop industry. While collaboration and support are also prevalent, instances of public feuds and diss tracks are not uncommon. These conflicts often stem from perceived slights, competitive pressures, and the desire to assert dominance within a male-dominated genre. The public nature of these disputes, amplified by social media, can contribute to both heightened visibility and increased scrutiny for the artists involved.
The dynamic between Megan Thee Stallion and Nicki Minaj, which predates the current conflict, also plays a significant role. Megan Thee Stallion’s friendship with Cardi B and her subsequent reaction to “Pretty & Petty” have positioned her within this existing rivalry. The strategic use of Nicki Minaj’s “Big Foot” by BIA further underscores the interconnectedness of these conflicts and the shifting alliances within the hip-hop landscape. Understanding these underlying relationships is crucial to interpreting the nuances of the current exchange.
The situation highlights the complexities of navigating professional relationships within a highly competitive industry. While artistic expression and lyrical confrontation are often celebrated in hip-hop, the personal implications of these exchanges can be significant. The use of social media as a platform for these disputes adds another layer of complexity, allowing for rapid dissemination of information and immediate responses, often escalating tensions further.
As of March 9, 2026, it remains unclear whether this exchange will escalate further or if it represents an epilogue to the ongoing feud. The artists involved have not yet issued any further public statements. The situation is being closely monitored by fans and industry observers alike, who are eager to see how this complex web of rivalries will unfold. The next step will likely depend on whether any of the artists choose to respond directly to the recent developments or if they opt to let the matter rest.
The ongoing tensions between these artists underscore the competitive nature of the music industry and the power of social media in shaping public perception. As the situation evolves, it will be crucial to follow official statements and verified reports to gain a comprehensive understanding of the dynamics at play. Readers are encouraged to share their thoughts and engage in respectful discussion in the comments section below.