Berlin holds a unique resonance for music lovers, particularly those captivated by the artistry of David Bowie. It’s a city steeped in history, a place where creativity flourished amidst division, and a location that profoundly influenced a pivotal period in Bowie’s career. Recently, my wife and I embarked on a pilgrimage too this iconic city, tracing the footsteps of the Thin White Duke and experiencing the echoes of his Berlin trilogy.
our journey began at Hansa Studios, a legendary recording space where Bowie crafted albums like Low, “Heroes”, and Lodger. Stepping inside feels like entering a time capsule. You can almost sense the creative energy that permeated the walls during those groundbreaking sessions.
Next, we visited Checkpoint Charlie, the former border crossing between East and West Berlin. It’s a stark reminder of the city’s divided past. the weight of history is palpable as you stand where freedom was so fiercely contested.
we sought out the remaining sections of the Berlin Wall. It was there, amidst the concrete and graffiti, that we shared a moment inspired by Bowie’s “Heroes.” We kissed, acknowledging the courage of those who dared to love and dream in the face of oppression. It’s a powerful symbol, a testament to the enduring human spirit.
To commemorate the experience, and to channel the energy of that incredible city, here’s the setlist we performed on opening night in Berlin:
* “Joe the Lion” (“Heroes”)
* “Blackout” (“Heroes”)
* “Beauty and the Beast” (“Heroes”)
* “look Back in Anger” (Lodger)
* “Breaking Glass” (Low)
* ”DJ” (Lodger)
* “Repetition” (Lodger)
* “What In the World” (Low)
* “Boys Keep Swinging” (Lodger)
* ”Yassassin” (Lodger)
* “Red Sails” (Lodger)
* “Sound + Vision” (Low)
* “Secret Life of Arabia” (“Heroes”)
* “Red Money” (Lodger)
* “Heroes” (“Heroes”)
* “Scary Monsters” (Scary Monsters (and Super Creeps))
* “Golden Years” (Station to Station)
* “Fashion” (Scary Monsters (and Super Creeps))
* “Ashes to Ashes” (Scary Monsters (and Super Creeps))
* “It’s No Game (No. 1)” (Scary Monsters (and Super Creeps))
* ”Scream Like a Baby” (Scary Monsters (and Super creeps))
I’ve found that performing these songs in Berlin adds a layer of depth and meaning. The city itself becomes an instrument, resonating with the themes of alienation, hope, and resilience that run through Bowie’s music.
Here’s what works best when crafting a setlist for a tribute to Bowie: balance the familiar hits with deeper cuts. Don’t be afraid to explore the nuances of his catalog. And, most importantly, connect with the emotional core of the music.
Ultimately, a visit to berlin is more than just a trip to a city. It’s an immersion into a cultural landscape that shaped one of the most innovative and influential artists of our time. It’s a chance to reflect on the power of music to transcend boundaries and inspire change. You’ll leave with a renewed appreciation for Bowie’s genius and a deeper understanding of the city that helped him create it.
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