Chloé Zhao on Directing “Hamnet”: Grief, Shakespeare & the Power of Visibility

The power of grief and its transmutation into art, forms the emotional core of Chloé Zhao’s critically acclaimed film, “Hamnet.” The 2025 biographical period drama, adapted from Maggie O’Farrell’s 2020 novel, delves into the imagined family life of William Shakespeare and his wife, Anne Hathaway, as they navigate the devastating loss of their 11-year-old son, Hamnet. Whereas Shakespeare’s “Hamlet” is widely considered a masterpiece, “Hamnet” offers a poignant exploration of the personal tragedy that may have inspired it, and the film’s nuanced portrayal of that grief has resonated with audiences and critics alike. The film has earned $92 million at the box office as of January 2026, according to Wikipedia.

A particularly striking scene in “Hamnet” unfolds at the Globe Theatre, where Agnes (played by Jessie Buckley) witnesses her husband, William (Paul Mescal), performing in “Hamlet.” This moment, Zhao explains, represents a culmination of the entire narrative arc. It’s the point where Agnes understands that Shakespeare channeled his profound sorrow into his work, transforming personal pain into a universal story of loss and revenge. The scene is a masterclass in visual storytelling, meticulously crafted by Zhao and her team to convey the complex emotions at play.

The Weight of Grief and the Power of Performance

The connection between Hamnet’s death and the creation of “Hamlet” has long been a subject of scholarly debate. While a direct causal link remains speculative, O’Farrell’s novel, and subsequently Zhao’s film, powerfully imagine the emotional landscape of Shakespeare’s grief. The Globe Theatre scene is pivotal in visualizing this connection. Zhao, speaking about the scene, emphasized that it’s the moment Agnes “realizes that he wrote this play to process and to express his grief for the loss of their son.” This realization isn’t presented as a simple epiphany, but rather as a gradual understanding that dawns on Agnes as she observes her husband embodying the anguish of a grieving prince.

The film’s production design played a crucial role in conveying this emotional weight. Costume designer Malgosia Turzanska and hair and makeup artist Nicole Stafford collaborated to visually chart William’s emotional decline throughout the film. Initially depicted wearing shades of blue, representing vitality and life, William’s appearance gradually shifts as he succumbs to grief. He becomes “colorless and gray and ashy and crusty,” covered in a paint-like substance that symbolizes the layers of sorrow obscuring his true self. This visual metaphor underscores the idea that grief can be both consuming and transformative.

A Veil Between Worlds: Paint as a Symbol

The use of paint is a recurring motif in “Hamnet,” extending beyond William’s decaying appearance. Stafford conceived of painting Hamlet’s hair gold instead of using a wig, a decision Zhao found particularly compelling. This technique, along with Turzanska’s hand-painted linen costumes, reinforces the film’s central theme: the thin boundary between reality and illusion. Zhao explains that the paint represents “the idea that the veil between what is real and what isn’t real is just one thin layer of paint away from each other.” This blurring of boundaries reflects the way grief can distort perception and create a sense of unreality.

The scene at the Globe isn’t merely a passive observation for Agnes. It’s a moment of profound vulnerability for William as well. The act of performing, of allowing himself to be seen in his grief, becomes a form of catharsis. Zhao believes that “the power of allowing ourselves to be seen is an incredibly vulnerable experience that can allow catharsis to occur.” This vulnerability is heightened by the symbolic removal of the “ashy paint” at the scene’s conclusion, suggesting a release from the suffocating weight of his sorrow.

Chloé Zhao’s Directorial Approach and the Film’s Reception

Chloé Zhao, known for her naturalistic filmmaking style, brought a unique sensitivity to the adaptation of O’Farrell’s novel. Her previous work, including the Oscar-winning “Nomadland” (2020), often explores themes of loss, resilience, and the human connection to nature. According to NPR, Zhao employed unconventional methods to prepare her cast and crew for the emotional demands of “Hamnet,” incorporating meditation, somatic exercises, and even dance into the production process. She reportedly led the audience at the Toronto International Film Festival in a guided meditation and breathing exercise before the film’s premiere, and encouraged impromptu dance parties on set.

This emphasis on embodied experience reflects Zhao’s belief in the power of ritual and intention. She aims to create a space where actors can fully inhabit their characters’ emotional lives, and where the audience can connect with the story on a visceral level. The Globe Theatre scene, with its carefully choreographed visuals and emotionally charged performances, is a testament to Zhao’s directorial vision. The film’s success, earning an Oscar nomination for Zhao, demonstrates the resonance of her approach.

Jessie Buckley and Paul Mescal’s Performances

The performances of Jessie Buckley as Agnes and Paul Mescal as William have been widely praised. Buckley’s portrayal of a fiercely independent and deeply grieving mother has been singled out for particular acclaim. Mescal, known for his breakout role in “Normal People,” delivers a nuanced performance as a husband and father grappling with unimaginable loss. The chemistry between Buckley and Mescal is palpable, adding depth and authenticity to their characters’ relationship.

The film too features strong supporting performances from Emily Watson and Joe Alwyn. Watson portrays Elizabeth, the mother of William’s friend, and Alwyn plays the role of Henry Wriothesley, the Earl of Southampton, a patron of Shakespeare. These characters add layers of complexity to the story, highlighting the social and political context of Shakespeare’s life and work.

“Hamnet” and its Legacy

“Hamnet” is more than just a historical drama; it’s a deeply moving exploration of universal themes of love, loss, and the enduring power of art. By focusing on the personal lives of Shakespeare and his family, the film humanizes a literary icon and offers a fresh perspective on one of the world’s most famous plays. The film’s release in the United Kingdom on January 9, 2026, further cemented its place in the cinematic landscape.

The film’s success also underscores the growing interest in adaptations of literary works that explore complex emotional landscapes. “Hamnet” joins a lineage of films that delve into the lives of artists and the creative process, offering audiences a glimpse into the inner worlds of those who shape our culture. The film’s enduring legacy will likely be its ability to spark conversations about grief, creativity, and the enduring power of storytelling.

As Chloé Zhao continues to push boundaries and explore latest cinematic territories, “Hamnet” stands as a testament to her unique vision and her ability to connect with audiences on a deeply emotional level. The film’s exploration of grief, and its ultimate message of hope and resilience, will undoubtedly resonate with viewers for years to approach.

The Academy Awards ceremony, where “Hamnet” is nominated for Best Picture, will grab place later this year. Further updates on the film’s awards prospects and future releases can be found on the official Focus Features website. We encourage readers to share their thoughts on “Hamnet” in the comments below.

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