Rosalía Apologizes for Picasso Comments & Performs 12 Songs Live for First Time on Lux Tour

Paris, France – Rosalía launched her highly anticipated Lux world tour last night at the LDLC Arena outside of Paris, delivering a stunning and expansive performance that included the live debut of a significant portion of her critically acclaimed 2025 album. The concert followed a week marked by the Spanish artist issuing a public apology for comments made regarding Pablo Picasso and the separation of art from the artist, a conversation that ignited debate about accountability and artistic legacy.

The Lux tour, kicking off on March 16th as scheduled, showcased Rosalía’s evolving theatrical style and ambitious production values. The performance featured, for the first time in a live setting, eleven tracks from Lux: “Sexo, violencia y llantas,” “Porcelana,” “Divinize,” “Mio Cristo piange diamanti,” “Sauvignon blanc,” “La yugular,” “Dios es un stalker,” “La Rumba Del Perdón,” “Novia robot,” “Focu ’ranni,” and “Magnolias.” This extensive debut suggests a tour that will fully immerse audiences in the complex and multi-layered world of her latest perform.

The tour launch arrives amidst a broader conversation surrounding Rosalía’s artistic choices and public statements. Earlier this month, the artist addressed criticism stemming from an appearance on the Spotify Presenta podcast, where she discussed Picasso. Her initial comments, interpreted by many as a defense of separating the artist from their actions, drew swift backlash given the well-documented history of abuse perpetrated by the famed painter. Rosalía’s subsequent apology, delivered via a video posted on X (formerly Twitter) on March 14th, demonstrated a willingness to engage with the criticism and acknowledge the harm caused by her initial remarks.

Rosalía Addresses Picasso Controversy

The controversy centered on Rosalía’s initial assertion that she could appreciate Picasso’s art despite acknowledging his problematic behavior. This position sparked debate, particularly given the increasing scrutiny of historical figures and the demand for accountability regarding past abuses. Critics argued that separating the art from the artist minimizes the suffering of victims and perpetuates a culture of silence. Numerous articles, including a piece in British Vogue, have detailed the extent of Picasso’s abusive treatment of women, highlighting the complexities of evaluating his artistic legacy (Vogue, 2026).

In her apology video, Rosalía expressed regret for her initial comments, stating she was “not comfortable” with the conversation and “not at peace” with what she had said. She emphasized the importance of acknowledging one’s own limitations in knowledge and the need for empathy towards victims of abuse. “It’s important not to talk about certain things when you don’t have enough knowledge,” she explained. “I personally thought Picasso was a great man, as people have said before. But I didn’t know there were real cases of abuse.” She further clarified that she is a feminist and expressed her commitment to supporting those who have experienced abuse.

ROSALÍA apologises for saying she ‘separates the art from the artist’ in relation to Pablo Picasso.

She explains that she was not aware he had abused women and that her knowledge of him being great was based on what she heard from others. She also clarifies she is a feminist as… pic.twitter.com/CdQU5rtY7e

— Pop Base (@PopBase) March 14, 2026

A Theatrical Debut for Lux

The Lux album, released in November 2025, marked a significant departure for Rosalía, incorporating orchestral arrangements and exploring themes of love, loss, and spirituality. The album features songs in thirteen different languages and has been lauded for its ambition and sonic complexity. Prior to the tour kickoff, Rosalía had only performed a limited selection of tracks from Lux live, including “Reliquia” and “La Perla,” building anticipation for the full album experience.

The concert at the LDLC Arena lived up to expectations, with Rosalía backed by the Heritage Orchestra and a choir, creating a dynamic and immersive soundscape. The performance reportedly mirrored the album’s emotional depth and artistic vision, with elaborate staging and lighting effects designed to capture the spirit of the club referenced in the song “Berghain.” The inclusion of so many new tracks suggests Rosalía intends for the Lux tour to be a comprehensive artistic statement, a fully realized interpretation of her latest work.

The BRIT Awards Performance and Björk’s Surprise Appearance

The Paris concert followed a memorable performance at the 2026 BRIT Awards in February, where Rosalía debuted “Berghain” live alongside Björk. The collaboration, a highlight of the awards show, marked the first time the two artists had performed together on stage. The performance was described as “striking” and “drama-filled” (Rolling Stone, 2026), with Björk’s avant-garde attire and hypnotic vocals complementing Rosalía’s operatic delivery. The BRIT Awards performance provided a preview of the theatrical elements that would be further developed during the Lux tour.

Rosalía’s win for Best International Artist at the BRIT Awards further cemented her status as a global music icon. The award recognized her artistic contributions and her ability to transcend cultural boundaries. The performance of “Berghain” and the subsequent tour launch demonstrate Rosalía’s continued commitment to pushing creative boundaries and delivering innovative live experiences.

Tour Schedule and Future Dates

The Lux world tour is scheduled to include 42 stops across Europe, North America, and South America. Following the Paris kickoff, Rosalía is set to perform in Lyon, France, on March 17th, continuing through a series of major cities throughout the spring and summer. The tour is expected to run through the fall, offering fans worldwide the opportunity to experience the full scope of the Lux album live. Detailed tour dates and ticket information are available on Rosalía’s official website.

The tour’s success will likely be closely watched by industry observers, as it represents a significant investment in production and artistic vision. Rosalía’s willingness to experiment with orchestral arrangements, theatrical staging, and complex themes positions her as a leading figure in contemporary pop music. The tour’s reception will undoubtedly shape her future artistic direction and solidify her legacy as a groundbreaking artist.

As Rosalía embarks on this ambitious tour, she continues to navigate the complexities of public perception and artistic responsibility. Her response to the recent controversy surrounding her comments on Picasso demonstrates a willingness to learn and engage in meaningful dialogue. The Lux tour promises to be a captivating and thought-provoking experience for audiences worldwide, showcasing Rosalía’s unique artistic vision and her commitment to pushing the boundaries of contemporary music.

The next confirmed date on the Lux tour is March 17th at the LDLC Arena in Lyon, France. Fans are encouraged to follow Rosalía’s official social media channels for updates and further information. We invite readers to share their thoughts on Rosalía’s apology and the Lux tour in the comments below.