The Flamingo Gaze: Sundance to Oscar – Diego Céspedes & Giancarlo Nasi Interview

Diego Céspedes on Weaving Myth, ⁢Innocence, and the AIDS Crisis in His Haunting New film

Diego Céspedes’ latest⁣ work is a⁢ powerful exploration of ‍love, loss,⁤ and societal prejudice, filtered through a‍ uniquely surreal lens. The film delves into tough ⁣themes with⁤ a delicate touch,anchored by the outlook of a child navigating a world shadowed by the AIDS epidemic.here, Céspedes discusses the inspirations behind his deeply personal and critically acclaimed project.

The seeds of the story: Personal History and Collective Memory

the genesis of the film, Céspedes explains, was a gradual ⁣process – much⁣ like building a painting over time.He drew heavily from personal experiences, ⁤particularly the strong personalities of his siblings, ⁤shaping the characters we see on screen. But the story’s roots extend beyond family.

Céspedes’ parents owned hairdressers⁤ in the suburbs,‍ and he witnessed firsthand the devastating impact of AIDS on the community of stylists who worked there. This⁣ early exposure to ⁢tragedy became a crucial element of the narrative.

Love, Disease, and the Power ‍of the Gaze

A striking aspect of the film is its portrayal of love as a potential vector ‍for disease, interwoven with surreal and⁢ mythological elements. ‍This approach stemmed⁤ from a poignant observation Céspedes encountered while researching the history of AIDS in Chile.

He recalls a quote ⁢that resonated deeply:⁣ “No one wants to look‍ at ⁣the sick people in the eyes.” This sparked an exploration of the gaze – how we look ⁤ at and‍ away from suffering – and how myths arise when we struggle to understand the incomprehensible. Chile’s unique geography, isolated by mountains, further fueled this exploration, as the contry ⁣possesses a rich‍ tradition of myth-making.

“That’s why the myth and the surreal part came to the⁣ movie, because ⁢it ⁤seems very natural,” Céspedes notes.

Seeing Through a Child’s Eyes: Innocence and Understanding

The film’s narrative is powerfully framed through the eyes of⁣ an 11-year-old girl, Lidia. this⁣ choice wasn’t accidental. Céspedes wanted ⁤to explore the world ⁤ without the‍ weight of adult prejudice.

A child’s perspective offers a purity of feeling, unburdened by the societal biases that frequently enough cloud our judgment. Lidia,⁢ despite her young age, possesses a maturity born from her environment, yet retains a core innocence that allows her to perceive the world differently. ⁤ This allows the film to tackle‍ heavy themes – disease, social stigma – with a nuanced‍ sensitivity.

Discovering Lidia: The Casting of Tamara Cortés

Finding the right actor to embody Lidia was paramount. Céspedes envisioned a character with a specific ironic,direct personality and a captivating gaze – traits he observed in his own⁤ siblings and cousins.‍

Tamara⁤ Cortés, discovered during casting, was a perfect fit. Despite having no prior⁤ acting experience, Cortés possessed the innate qualities Céspedes⁢ sought. He describes ⁤her as “exactly what I imagined” and praises her quick learning‍ ability and dedication, working closely‍ with⁣ a coach and ⁣Céspedes himself ⁣to develop her performance. He expresses immense pride in her work, recognizing her as a “total professional.”

This film isn’t just a story; its a testament to the power of ⁤perspective, the enduring impact ⁣of history, and the resilience of the human ⁣spirit. Céspedes’ work ⁣invites you to confront uncomfortable truths, embrace the⁢ surreal, and ultimately, to⁢ look – ⁢truly look – at the world around you.

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