Haunted hotel: A Charming But Ultimately Shallow Stay in the afterlife
Netflix’s Haunted Hotel arrives with a familiar pedigree. If you’ve spent any time with adult animation in the last two decades, the aesthetic and comedic timing will feel instantly recognizable. The show, centered around a family running a hotel for the supernatural, boasts a talented voice cast and a premise ripe with potential. Tho, despite its strengths, Haunted Hotel struggles to move beyond surface-level charm, leaving viewers wanting a deeper, more significant experience.
The show’s world-building hints at intriguing complexities. A casual mention of a “death day looper” amongst the Undervalians sparks curiosity – what are the rules governing ghostly existence here? How does this taxonomy work? – but these threads are frustratingly dropped, never explored beyond a fleeting reference. This pattern of introducing fascinating concepts and then abandoning them is a recurring issue.
What does work is the cast. Forte, Gisondo, and Palamides are all seasoned performers, effortlessly embodying their archetypes. Forte’s sweetly clueless demeanor and Gisondo’s awkward-but-well-meaning nerd are comfortable roles, and they deliver them with skill. The impressive roster of guest stars – including Kumail Nanjiani, Jenifer Lewis, and Randall Park - further elevates the vocal performances. You want to connect with these characters, simply because you enjoy the voices bringing them to life.
However, even the strong voice acting can’t fully compensate for underdeveloped characters. Esther, voiced by Palamides, is a standout, showcasing a welcome vulnerability beneath her sardonic exterior. But the rest of the family remain largely defined by their roles – the well-meaning but bland parents, the resentful-yet-affectionate son. Their relationships lack the depth and nuance needed to truly invest the audience. They’re a perfectly nice family, but “nice” doesn’t necessarily translate to compelling.
The storylines, while initially promising, suffer from the same lack of depth. Episodes feature exorcisms,demonic cults,ghost girlfriends (Lindhome delivers a delightfully quirky performance),zombie dads,and overrun junior highs. These plots sound exciting,but they rarely offer inspired twists,sharp humor,or genuine emotional resonance. Many feel overextended, even within the show’s brisk half-hour format.
There are glimmers of brilliance, however. A bizarre subplot involving Katherine being courted – and then stalked – by her honeymoon suite is genuinely unsettling. Haunted Hotel isn’t aiming for outright horror, but the suite’s possessive behavior, the creeping sense of unease from everyday objects, is a refreshing departure from the show’s typical lightheartedness.It’s a genuinely unique and memorable villain.
another highlight is a late-season time-travel sequence, driven by a character’s desperate attempt to help a loved one. This storyline finally allows the show to show the family’s affection, rather than simply telling us it exists. It’s a surprisingly moving moment, demonstrating the emotional potential that lies dormant within the series.
These moments reveal Haunted Hotel’s true potential: a willingness to embrace the darker, stranger, and more emotionally complex aspects of its premise. the show excels when it moves beyond relentless cheerfulness and allows itself to be a little scary, ugly, or sad.
If Netflix grants Haunted Hotel a second season, the hope is that it will fully embrace its freak flag. Stop trying to appeal to the broadest possible audience and rather lean into the weirdness, the darkness, and the emotional depth that it occasionally hints at. Let the ghosts truly haunt, and the hotel become a destination for more than just a pleasant, but ultimately forgettable, stay.


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