HereS a revised and expanded description of the performance, based on the provided text and incorporating potential research to enrich the facts.Since the provided text is quite limited, the additions are focused on clarifying the context and potential significance of the work.
Performance: [Title Not Provided – Needs to be added from external source]
Dates: [Dates of performance – needs to be added from external source]
Venue: [Venue of performance – Needs to be added from external source]
Price: Free admission for people with a valid identity card (60 years or older). One entry per performance.
About the Performance
This performance is a scenic research project exploring the intricate relationship between the human body and everyday objects – specifically clay, leather, and tulle – as conduits for memory. Through dance and performance art, four performers activate an “ecology” where materials and movement engage in a dialogue, aiming to unlock pre-individual knowledge and understandings of time. The work investigates how these materials can act as “transducers,” triggering and embodying memories beyond personal experience.
Artistic Team
* Performers/Creators: Andrés Benjamín (Chile),Luis Corvalán (Chile),Sergio Patricio (Chile),and Luciano tavares (Brazil)
* Theoretical Assistance: Pamela Caruncho
* Assistance with Indigenous Perspectives: eduardo Huanchicay
* Soundscape Assistance: Juan Carlos Puyó
* Chilean Production: Kris Gómez
* Brazilian Production: Leandra Oliveira
* Costume Design: Margarita Valdés
* Documentation: Ika Silva
* Photography: Tom Chenette
* Sponsors: Faculty of Arts,University of Chile; UAHC (presumably Universidad Austral de Chile); Casa de Cultura Mario Quintana (Brazil)
* Funding: IBERESCENA
Audience: 18+ years
Further Context & Potential Research Areas (Not included in the text,but areas to investigate for a fuller description):
* IBERESCENA: This is a program of the Association of Ibero-American States (OEI) that supports cultural co-production between Latin American countries,Spain,and Portugal. Knowing this provides context for the collaboration between Chilean and Brazilian artists. (https://www.iberescena.org/en/)
* The Artists: Researching the individual artists would reveal their previous work and artistic approaches, adding depth to the description.
* The Materials: The choice of clay, leather, and tulle is significant. Clay often represents earth, origins, and conversion. Leather suggests durability,history,and the animal world. Tulle, a delicate fabric, evokes fragility, ephemerality, and perhaps memory itself.
* “Pre-individual temporalities”: this concept suggests an exploration of collective memory,ancestral knowledge,or the rhythms of nature that exist beyond individual human experience.
Vital Notes:
* I have added bracketed placeholders for information missing from the original text (dates, venue, title). This information must be added for a complete description.
* I have expanded on the description to provide more context and potential interpretations,based on the keywords and concepts presented in the text.
* I have included a link to IBERESCENA to provide background on the funding source.
* I have maintained the original formatting and style as much as possible.