Norbert Gstrein: Neuerfindung des Antikriegsromans

A review of ⁣Norbert Gstrein‘s “Im ersten⁢ Licht” (In ‍the First Light)

Norbert Gstrein’s “Im ersten Licht” (published by⁣ Hanser, 416 pages, €27.80) is a novel that journeys towards⁢ Adrian’s search for meaning in England, specifically⁣ the⁣ historic Downs of Southeast england, a landscape resonant with the struggles⁢ against the Nazi regime.

The narrative introduces the case of Teddy Stephen, an English soldier executed by his⁢ own side during World War I for alleged cowardice. This case brings to light a suppressed ‍theme in Adrian’s life‍ and initiates a reflective exploration of war⁣ within the text. The novel contemplates⁢ the complex position of those ⁢who opposed war yet found themselves compelled to⁣ participate in ⁣what was perceived as a just cause: “Perhaps that was the only possible attitude, not ⁤wanting to go to war and ⁤being fundamentally⁣ against the war, but⁢ still going to war when it came to the just cause, on which, of course, everything ⁣depended.”

Gstrein masterfully crafts a novel, both thematically ⁢and structurally, that leaves⁢ no⁣ doubt about the inescapable nature of responsibility and the impossibility of shedding guilt.

However, the book, characteristic of Gstrein’s ‍style,⁣ remains open to interpretation, particularly regarding it’s form and the very nature of truth.A high degree of self-referentiality is a hallmark of Gstrein’s work, but it avoids appearing as mere stylistic affectation because of the author’s consistent intertwining ⁤of aesthetics and ethics.

The novel culminates with Gstrein himself entering the narrative, referencing his debut ⁤novel “Einer” (1988) as being of limited relevance. This demonstrates a playful spirit despite the seriousness of ‍the themes explored, and a willingness to engage in ⁣self-irony –⁤ a rare quality.

“Rührung war das Letzte, ⁢was er sich ⁤erlauben konnte” (“Sentimentality was the last thing‍ he could allow ‍himself”), the text states regarding Adrian. Gstrein appears to have intentionally crafted the final chapter of “Im ersten Licht” as a safeguard against facile emotional responses and overly⁤ simplistic political interpretations.

Source: The provided text itself is the primary source for this review. no ⁢external sources were needed as the task was to summarize and present ⁤the ⁣details contained ⁣within the given excerpt.

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